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THE PASSION OF ARTEMISIA

Exalted subject, above-average historical fiction.

After her brilliant Girl in Hyacinth Blue (1999), Vreeland shows a deep knowledge of art once more but also veers toward message and melodrama.

When she’s 18, the historically real painter Artemisia Gentileschi of Rome (1593–1653) is raped by another artist, Agostino Tassi, an associate of her father’s (himself the painter who taught the gifted Artemisia her craft). When the rapist is tried by a court of the Inquisition, it’s more as if Artemisia is the criminal than Agostino—who gets off free (thanks partly to Artemisia’s father, his own interests trumping his daughter’s) while Artemisia, after torture and public humiliation, is left only with a destroyed reputation. With father’s “help,” however, a husband is found—a painter again, Pietro Stiattesi. Artemisia moves with him to his hometown of Florence, where she’s happy to be “in the art center of the world” and soon gives birth to a daughter. The marriage may even have potential for happiness—until Artemisia, a far better artist than Pietro, is the first admitted to the Accademia, whereupon shallow Pietro reverts to his womanizing ways. Artemisia (with daughter Palmira) will leave Pietro behind (when she’s summoned by a new patron to Genoa), but not before meeting Buonaretti the Younger, being introduced to the Medici court, and growing into a friendship with Galileo. Life in Genoa will give Artemisia great success—until her past comes even there to haunt her. She will paint in Venice, Rome, and Naples; will see Palmira (who has no interest in painting) into marriage, then at last have a reconciliation, in chill England, with her dying father. Readers may learn much from the tale, but they’ll have to pardon Palmira’s seeming less like a child from the 17th century than like a kid from the mall, ditto the author’s oft-clumsy expository intrusions (“ ‘Creating such a complex work, with all parts working harmoniously together, must have taken constant, absorbing thought’ ”).

Exalted subject, above-average historical fiction.

Pub Date: Jan. 14, 2002

ISBN: 0-670-89449-4

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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THE NEXT ALWAYS

An effective infomercial—and guest-room sleep-aid—for Inn BoonsBoro.

In Roberts’ new series launch, the conversion of a tumbledown Maryland hotel into a boutique country inn fails to expel an extremely shy resident ghost.

The first half of the novel, essentially an extended prologue, is painstakingly slow. As Roberts demonstrates a newfound passion for construction minutia (perhaps because she renovated and owns Inn Boonsboro in real life), the activities of architect Beckett Montgomery and his two builder brothers as they retrofit a historic building in Boonsboro (near the Antietam battlefield) unfold almost in real time. Working under the supervision of their benevolent tyrant of a mother, the brothers exchange good-natured macho gibes as they appoint the Inn-to-be with the most opulent tile, woodwork and fixtures. Amid all the bromance, Beckett watches longingly as his crush since grade school, Clare, goes about running her amazingly profitable independent bookstore while raising three unruly boys alone. (Her soldier husband died in Iraq.) Does she or doesn’t she notice him, Beckett muses ad infinitum. Meanwhile, Clare tells herself that Beckett is not really interested, just being kind to a war widow. Once this minor miscommunication is cleared up, the two begin a tentative relationship, however, the necessity of introducing obstacles to true love has Roberts stretching for things for them to squabble about, including the sighting by Clare’s youngest son of a ghostly lady dressed in an old-timey long gown, staring from an upper story window of the Inn. (The ghost, nicknamed “Lizzy,” has betrayed her presence to Beckett and a few others only with a scent of honeysuckle and a penchant for opening doors.) Cartoonish villain Sam, the spoiled, indolent son of the area’s wealthiest family, stalks Clare and tries to take indecent liberties, but his belated appearance, and his failure to pose a believable threat, do little to propel the plot. The fictional doppelganger of Boonsboro is an anachronistic bubble, seemingly untouched by the blight besetting so many American small towns.

An effective infomercial—and guest-room sleep-aid—for Inn BoonsBoro.

Pub Date: Nov. 1, 2011

ISBN: 978-0-425-24321-3

Page Count: 352

Publisher: Berkley

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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AFTER I DO

Reid’s tome on married life is as uplifting as it is brutally honest—a must-read for anyone who is in (or hopes to be in) a...

An unhappily married couple spends a year apart in Reid’s (Forever, Interrupted, 2013) novel about second chances.

When we meet Lauren, she and her husband, Ryan, are having a meltdown trying to find their car in the parking lot at Dodger Stadium after a game. Through a series of flashbacks, Lauren reveals how the two of them went from being inseparable to being insufferable in each other’s eyes—and in desperate need of a break. Both their courtship and their fights seem so ordinary—they met in college; he doesn’t like Greek food—that the most heartbreaking part of their pending separation is deciding who will get custody of their good-natured dog. It’s not until Ryan moves out that the juicy details emerge. Lauren surreptitiously logs into his email one day, in a fit of missing him, and discovers a bunch of emails to her that he had saved but not sent. Liberated by Ryan’s candor, Lauren saves her replies for him to find, and the two of them read each other’s unfiltered thoughts as they go about their separate lives. Neither character holds anything back, which makes the healing process more complex, and more compelling, than simply getting revenge or getting one’s groove back. Meanwhile, as Lauren spends more time with her family and friends, she explores the example set for her by her parents and learns that there are many ways to be happy. It’s never clear until the final pages whether living alone will bring Lauren and Ryan back together or force them apart forever. But when the year is up, the resolution is neither sappy nor cynical; it’s arrived at after an honest assessment of what each partner can’t live with and can’t live without.

Reid’s tome on married life is as uplifting as it is brutally honest—a must-read for anyone who is in (or hopes to be in) a committed relationship.

Pub Date: July 1, 2014

ISBN: 978-1-4767-1284-0

Page Count: 352

Publisher: Washington Square/Pocket

Review Posted Online: April 9, 2014

Kirkus Reviews Issue: May 15, 2014

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