A factory owner’s suicide hastens the decline of a small town.

  Woodring (Springtime on Mars, 2008, etc.) doesn’t specify the state, but her fictional Goliath is clearly in the South, and the fact that the on-the-brink-of-bankruptcy factory makes furniture suggests her native North Carolina. It’s a mild October day when teenaged Vincent Bailey finds the crushed body of Percy Harding on the railroad tracks, but cold weather and hard times are coming. Percy’s death has changed Goliath’s zeitgeist, thinks police chief Clyde Winston: “It was as if every person in town had put their own bodies in way of the train and were all broken now, spiritless.” Mood-directing statements like this dot the narrative, which swoops in and out of many lives. Central among them is Rosamond Rogers, who was Percy’s secretary and has become a reluctant repository of her neighbors’ confidences about everything from stealing candy to deliberately pricking babies with diaper pins. None of the confidences seem to justify the book’s lugubrious atmosphere, nor does the main action, which shows Rosamond and her daughter Agnes groping for love with Clyde and his son Ray, county groundskeeper and freelance preacher. (Rosamond’s traveling-salesman husband left years ago; Agnes has dropped out of college and a sort-of marriage to return to Goliath, though she’s not quite sure why.) A more baroque plotline follows Vincent, radically unsettled by his discovery of Percy’s corpse, in his reckless friendship with the equally troubled Cassie, who incites the boy to eat increasingly dangerous objects (culminating in a live mouse) and to rob houses with her. These stories, and many other subordinate ones, develop very slowly, and Woodring’s tone adds to the sense of stasis—she mistakes portentousness for seriousness and proclamations for insights. The climax, complete with a parade, a baseball game and a cataclysmic fire, is much too obviously designed to ensure “that Goliath should end in devastation and miracle.”


Pub Date: April 24, 2012

ISBN: 978-0-312-67501-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Feb. 5, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.


A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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