A fast-paced, imaginative story ideal for young readers who understand the urge to make music.
A girl transports to an alternate musical universe to save her friend in Zeidler’s (The Practice Room, 2009) mystery for young teens.
Three years ago, Zoey Browne’s world changed for the better when she discovered she could transport to a magical world called Musicland. There, she cultivated a talent for keyboard playing and reunited with her amnesiac, rock-star father. Now 15 years old, Zoey is spending her summer on tour with her famous dad. Weary of the road, she meets her best friend in Oshkosh, Wis., for an annual air show. When her friend Nathan disappears in a puff of purple smoke during a flight demonstration, Zoey must use her power to rescue him. She quickly realizes the morbid connection between music and aviation when she’s transported back to “The Day The Music Died.” Legends Buddy Holly, Stevie Ray Vaughan and Glenn Miller all died while flying, and now a nasty villain is trying to send Nathan to the same fate. The premise is certainly original, if far-fetched, but young readers with an interest in music will relish the trivia and lessons embedded in this story. Zoey develops as a musician while grappling with typical teen issues—her relationship with her father, a crush on a cute older boy, self-awareness—but heavy plot points dominate the latter half of the book. At one point, Zoey, Nathan and other time-traveling characters land in a Nazi concentration camp with a group of jazz-loving German youths. There they witness and endure great horrors. Through it all, Zeidler portrays music as an idealistic beacon of hope, the solution to all of life’s mysteries. This philosophy is explicitly stated many times but would have been better conveyed if subtly expressed through plot development.
A fast-paced, imaginative story ideal for young readers who understand the urge to make music.Pub Date: May 30, 2012
ISBN: 9781600477324
Page Count: -
Publisher: Wasteland Press
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 1, 2012
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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