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NUCLEAR FAMILY

Name: NUCLEAR FAMILY
Author: Susanna Fogel
ISBN: 978-1-62779-793-1

A TRAGICOMIC NOVEL IN LETTERS

by Susanna Fogel ‧ RELEASE DATE: July 18, 2017

Bahahahaha.

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The life of Julie Feller as seen through three decades of letters and emails from her family.

Born in the New Yorker’s “Shouts and Murmurs” column, Fogel’s debut starts with a letter sent to summer camp by her protagonist’s father, a neurologist with a dopey sense of humor, followed by an apology note from her mother the psychoanalyst. The heroine of this epistolary novel is revealed wholly through letters, with titles that are part of the joke: “Your Sister Said Something Racist to Your Dad’s New Girlfriend,” “Your Hot Cousin Paul and His Friends Might Want to Chill Later,” “Your Grandma Rose is Really Looking Forward to Her Son’s Gay Beach Wedding,” and “Your Mom Wanted to Run Her First Yelp Review By You,” among others. We follow the Fellers and their running gags through three decades of correspondence. Highlights: her father’s attitude toward her “career” writing celebrity stories for the Huffington Post; her mother's inability to understand computer basics and frequent trips to the Apple Store; her wacky sister, the star of the book, who writes in text-speak: “Heya, Just tried to leave u a voice mail but I think yr phone is dead. Or u are probably busy w/ mom helping her make arrangements for the funeral ugh.” “Anyway I don’t think u got much of a chance to talk to Bridger cuz you had yr hands full with mom (omg when she was singing along and dancing to that ‘aint no mountain high enough aint no valley low enough’ song and everyone was like GO BARBARA! GO BARBARA!...)” The letters from Julie’s NordicTrack, her dead gerbil, and her IUD remind us that some “Shouts and Murmurs” columns are kind of dumb, and the letters from Dad’s Chinese second wife themselves seem vaguely racist, or at least politically incorrect, but u prob won’t mind b/c other parts are so funny.

Bahahahaha.

Pub Date: July 18, 2017

ISBN: 978-1-62779-793-1

Page Count: 224

Publisher: Henry Holt

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.