by Susanna Isern ; illustrated by Manon Gauthier ‧ RELEASE DATE: Oct. 3, 2017
A neatly pitched lesson for the middle child.
A little bear discovers the benefits of being the middle one when his medium size works to his advantage.
The “second of three brothers,” middle bear’s neither largest nor smallest, tallest nor shortest, strongest nor weakest. Even his clothes and toys are “middle-sized.” He eats and drinks middle-sized portions and goes to bed “before his older brother and after his younger.” Often sad, the middle bear does not “want to be the middle one” until the day his sick parents send their three sons on a quest to a high mountain for willow bark. Reaching a partially frozen river, the oldest brother’s too heavy and the youngest brother’s too little to cross the ice. Just the right size, the middle bear successfully traverses the river, scales the mountain, and returns with the willow bark. Repeated use of “middle-sized” emphasizes the disadvantages as well as the advantages of being a middle child. Cut-paper collage, pencil, and mixed-media illustrations rely on a subdued palette of black, gray, and tan to convey the blandness of the middle bear’s life. Drawn with childlike simplicity, the brother bears seem visually identical (except for size) and usually appear together until the middle bear happily takes center page alone, suddenly aware “he could do all sorts of things.”
A neatly pitched lesson for the middle child. (Picture book. 4-7)Pub Date: Oct. 3, 2017
ISBN: 978-1-77138-842-9
Page Count: 34
Publisher: Kids Can
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: Sept. 3, 2019
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...
Ruby is an adventurous and happy child until the day she discovers a Worry.
Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-5476-0237-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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