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SIGHTS

An odd, awkward first novel that tries so hard that it loses its way. Fourteen-year-old Baby Girl has been special since the moment of her birth. Her mother and friends tell her as much at every turn. Not only is her beauty unmatched, but her ability to see into the future makes her undeniably popular. When she and her mother flee her highly abusive father and resettle in the small, cliquish town of Cot, Baby Girl is confronted with just how little her beauty really means. At her new high school, she is a gawky, weird outsider, her beauty paling beside the cheerleaders, and her “sight” only alienating those whose future she predicts. Over the course of her freshman year, Baby Girl learns that loyalty and integrity count for much more than beauty. Many teen novels feature protagonists who must delve deeper than looks for real meaning in their lives, but this story relies too much on clichés of the ’50s for its impact. Outfits and hairstyles are described in detail, dialogue is stilted and too full of colloquialisms, and several characters are just too offbeat to be believable. Even so, if it weren’t for the dreadful made-for-TV ending, it might have survived. But what could have been an interesting coming-of-age story is instead heavy-handed and corny. Although based on a worthwhile premise, Sights misses its mark. (Fiction. 9-14)

Pub Date: March 1, 2001

ISBN: 0-385-32761-7

Page Count: 216

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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TIES THAT BIND, TIES THAT BREAK

Namioka (Den of the White Fox, 1997, etc.) offers readers a glimpse of the ritual of foot-binding, and a surprising heroine whose life is determined by her rejection of that ritual. Ailin is spirited—her family thinks uncontrollable—even at age five, in her family’s compound in China in 1911, she doesn’t want to have her feet bound, especially after Second Sister shows Ailin her own bound feet and tells her how much it hurts. Ailin can see already how bound feet will restrict her movements, and prevent her from running and playing. Her father takes the revolutionary step of permitting her to leave her feet alone, even though the family of Ailin’s betrothed then breaks off the engagement. Ailin goes to the missionary school and learns English; when her father dies and her uncle cuts off funds for tuition, she leaves her family to become a nanny for an American missionary couple’s children. She learns all the daily household chores that were done by servants in her own home, and finds herself, painfully, cut off from her own culture and separate from the Americans. At 16, she decides to go with the missionaries when they return to San Francisco, where she meets and marries another Chinese immigrant who starts his own restaurant. The metaphor of things bound and unbound is a ribbon winding through this vivid narrative; the story moves swiftly, while Ailin is a brave and engaging heroine whose difficult choices reflect her time and her gender. (Fiction. 9-14)

Pub Date: May 1, 1999

ISBN: 0-385-32666-1

Page Count: 154

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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