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HUMAN BODY LIFT-THE-FLAP

Still, anatomy books for this age are scarce, and this one is relatively sturdy and amusing to browse, perhaps compensating...

A lift-the-flap board book briefly explores the anatomy and physiology of the human body.

With just 16 somewhat busy pages, this is hardly an in-depth examination of the body. Each page features a brief bit of introductory text. The first spread is a general overview, and those that follow examine different functions or parts: the brain, muscles and skeleton, circulatory system, respiratory system, digestive system, senses and, finally, the skin. Most pages feature lots of lively, round-eyed children of various races and both sexes; they include two or three flaps to lift that provide an interior view of a body part and are accompanied by related text. A few are a little confusing. One depicts and describes arteries in red and veins in blue but fails to clarify that these aren’t the actual colors within the body. Another states, “Every hour, you take in enough air to fill almost 45 balloons,” and shows a child blowing up a balloon, but that is about one quarter of the actual amount of air breathed in. A greater issue is the format; the apparent audience of young grade schoolers may not all appreciate a cardboard-paged, rounded-corner format that’s typically appropriate for much younger children.

Still, anatomy books for this age are scarce, and this one is relatively sturdy and amusing to browse, perhaps compensating for its other issues. (Informational picture book. 5-8)

Pub Date: April 8, 2014

ISBN: 978-0-7534-7060-2

Page Count: 16

Publisher: Kingfisher

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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ROSIE REVERE, ENGINEER

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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