Dunn embroiders a capable historical novel around the few known facts about Katherine Filliol, but non-Tudor obsessives may...
“The tricky business of a man setting aside his wife” in a Tudor marriage prefigures coming events at the court of Henry VIII in the latest from six-wives chronicler Dunn (The Confession of Katherine Howard, 2011, etc.).
It’s Wolf Hall revisited. While Hilary Mantel borrowed the name of the Seymour family’s historic manor house for the title of her Man Booker prizewinning best-seller, for English novelist Dunn, it’s the prime location for her closely observed sidebar-to-history account of Edward Seymour’s doomed first marriage to mercurial Katherine Filliol. Events are narrated by future royal wife Jane Seymour, who's 15 when Edward, her oldest brother, introduces his spirited bride to the household; Jane instinctively warms to Katherine’s impulsive nature. What follows is an overdetailed domestic portrait of Wolf Hall through two years of seasonal shifts, feasts and festivals while Katherine’s moods flicker and fade. Edward leaves for a while, to fight in France, and on his return, his wife bears him two sons. And then the family is torn apart by scandal. Jane, innocent but implicated by her friendship with her sister-in-law, tries to salvage her brother's marriage but the rift is irreparable. Katherine is sent to a convent while Edward tries to restore family respectability by placing Jane at court, as maid of honor to Queen Catherine, Henry VIII’s first wife. Jane therefore has a ringside seat when Henry, like Edward Seymour before him, declares his current marriage at an end—in order to marry Anne Boleyn, whose subsequent execution leads to Jane’s coronation.
Dunn embroiders a capable historical novel around the few known facts about Katherine Filliol, but non-Tudor obsessives may find her minute scrutiny of the Seymour marriage an overextended prologue to the more mainstream events.Pub Date: Oct. 15, 2014
ISBN: 978-1-60598-630-2
Page Count: 352
Publisher: Pegasus
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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