by Suzannah Lessard ‧ RELEASE DATE: March 12, 2019
A pleasant hodgepodge of observations on many places, all of them made more interesting than they perhaps really are—and...
Of beach plums, ramps, and Ramada Inns: a quietly sensitive, eminently sensible consideration of the landscapes of our lives.
Lessard (The Architect of Desire: Beauty and Danger in the Stanford White Family, 1996), a writer and editor for the New Yorker and Washington Monthly, respectively, is a collector of places—and, she writes, she is amazed by people who aren’t, as when she observes “how indifferent air passengers are to the view out the window.” Some views are perhaps a little cheerless, such as the industrial wastelands of Ohio or the battlefield at Gettysburg. Some are stunning, and all shape the people who live in them without being aggressively assertive about it, as with the New York village in which she finds “something modestly, collectively triumphant,” namely, a shared sense of belonging. Landscape, writes the author, incorporates layers of meaning that lie close to the “hidden springs of personhood,” joining families and histories to the world. No matter how difficult some of those landscapes may be, from broken urban neighborhoods to abandoned cemeteries, the meaning is there to be sought out. Lessard usually finds something to like, or at least to point out, about the places she brings up for consideration. One good example is Wall Street, where she logged time as a young worker in a financial world “in which women especially were relegated to a lower order”—no problem, really, inasmuch as she was busy absorbing the place and its glorious and messy chaos. The overall feel of the book, which blends poetic reverie with deeply learned geography and history, is friendly if just on the edge of being too much, of becoming encyclopedic. Still, you’ve got to like a narrative that includes a search for an elusive Staten Island landfill that ends in unlikely self-discovery: “You felt lonely just looking at it, as if you hadn’t spoken to another human being in months, years maybe.”
A pleasant hodgepodge of observations on many places, all of them made more interesting than they perhaps really are—and that’s quite a gift.Pub Date: March 12, 2019
ISBN: 978-1-64009-221-1
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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