A valuable message about finding “something that makes you unique.” (Picture book. 4-8)



Figley, an opossum/cow/finch hybrid, faces a choice. Follow the latest “fashion craze” to avoid being “a laughing stock,” or find the courage to stand out.

Ever since Queen Contessa started wearing a duck-moose creature called a “mookling” on her head, the fantastical residents of Mutasia have been sporting them, too. In fact, “everyone on Mutasia [has] a mookling hat…except Figley.” With Billie Twinklecorn’s party only hours away, and the stores “sold out” of the trendy headgear, Figley feels pressured to catch his own mookling. His attempts leave him sitting, wet and dejected, in a “swampy pond,” and he arrives at the party in a “silly, squishy…squonk hat.” This one-of-a-kind, donkey-squid cap boosts Figley’s confidence and inspires everyone there to be “just like Figley!” Primarily a story centered on instilling a strong sense of self in readers who may be anxious about being different or fitting in, this tale may have some older readers connecting to its other ideas, such as the importance of creative problem-solving, the influence of peers, and the outcomes associated with blindly following fads. Vibrant and boldly colored cartoon illustrations that cover the entire page draw readers into Figley’s world. Just don’t read too much into the fact that this “mixed-up mix” of imaginative animals exploits a menagerie of other, smaller, perhaps endangered critters in the name of style.

A valuable message about finding “something that makes you unique.” (Picture book. 4-8)

Pub Date: Oct. 23, 2018

ISBN: 978-0-69210-632-7

Page Count: 48

Publisher: Mutasian Entertainment

Review Posted Online: Aug. 27, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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A lesson that never grows old, enacted with verve by two favorite friends


From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Eggs-quisitely excellent.


Being a good egg can be eggs-cruciatingly stressful.

This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.

Eggs-quisitely excellent. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-0-06-286600-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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