An emotionally moving portrayal of the effects grief has on a family.
Eleven-and-a-half-year-old Allegra is divided by a family at odds with each other.
Allegra’s mum died when she was 3, but she doesn’t know what caused her death or why it made her family stop speaking to each other. She just knows that they each love her differently, and she feels split in three ways trying to maintain relationships with each of them. Allegra lives at Number 23 with her Hungarian Jewish grandmother, Matilde, who is haunted by memories of the war and who runs a strict household. With Matilde she is Allegra. Her father, Rick, takes her surfing, and they have a good time together. But for reasons she doesn’t understand, he lives in the flat above Matilde’s garage; with him she’s Al Pal. Next door, at Number 25, lives her passionate Catholic grandmother, Joy, to whom she is Ally. When Allegra helps a friend and things go awry, their family secrets must be confronted. Set in 1970s Australia at the cusp of a cultural revolution, this is both a story of self-discovery and one of family healing. Debut author Daniel’s strength lies in the creation of complex characters; Allegra in particular operates from a sheltered existence and makes decisions, judgments, and mistakes in an authentic—and, at times, painful—way. Most characters are white except Allegra’s best friend and her mother, who are Indigenous.
An emotionally moving portrayal of the effects grief has on a family. (Historical fiction. 12-14)Pub Date: April 14, 2020
ISBN: 978-1-9848-5107-9
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 6, 2020
Kirkus Reviews Issue: Feb. 1, 2020
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK TO SCREEN
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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