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PAM OF BABYLON

Women’s fiction with a touch of noir.

Awards & Accolades

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An intriguing first novel that revolves around a husband’s death and hidden secrets.

Pam Smith lives an apparently charmed life as a well-to-do Babylon, N.Y., homemaker in a large house by the water. In her 50s with her children grown, Pam is happy with her exemplary husband Jack. After he has a heart attack on the subway, however, the protagonist finds out more than she ever wanted to know about Jack. She uncovers a weapon in his desk, his extramarital affair, his mistress’ potential pregnancy and his possible abuse of her younger sister Marie, who comes to visit every weekend. Bordering on preposterous but consistently interesting, this psychological novel contains some mystery and moves along quickly for a non-thriller. While Pam is the novel’s protagonist, Jack’s mistress Sandra and Marie also play key roles. The three women all feel betrayed by Jack, and the plot focuses on their reactions to his deception. Pam, though, feels drawn to Sandra in empathy while Marie is angry and jealous. The women develop an odd bond, and Pam even invites the other two women for a weekend to relax at the beach house in Babylon—a hostess gesture that seems a bit extreme. The novel also focuses on Jack and Pam’s mothers, the latter of whom is having a hard time living alone in Brooklyn—Pam, of course, brings her to Babylon, too. Jenkins is skilled in her presentation of the characters’ inner thoughts, particularly at Jack’s funeral, where Pam’s emotions are decidedly mixed as various facts about her late spouse come to light. While the novel is convincing during moments between the main female characters, the plotline strains from narrative overload as extortion and issues of parentage come into play. Themes of sisterhood and abuse run through the book, and the three women shift between rivalry and friendship before becoming empowered by Jack’s demise.

Women’s fiction with a touch of noir.

Pub Date: July 14, 2011

ISBN: 978-1461135920

Page Count: 330

Publisher: CreateSpace

Review Posted Online: July 15, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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