The author pushes her cast of Herans and earthlings—along with readers—through an unforgettable emotional crucible.
Earth descendants struggle to survive on an inhospitable planet in Maxwell’s sci-fi sequel to The Rasken (2011).
On the sparsely settled planet Hera, 16-year-old Margole once possessed the technology to teleport from place to place. Using a palm-embedded wonder called the rasken, she wielded power reserved for leaders of the various matriarchal tribes living along the Noku River. The technology is now broken, yet Margole still yearns to hunt and travel the river like the nomadic men who periodically visit the women’s villages. Meanwhile, on 54th-century Earth, marine researchers Karl Trax and Terra Woods discover an ancient spaceship at the bottom of the Pacific Ocean. Study of the vessel reveals that it once traveled to Hera to start a colony. This prompts a scientific voyage back to learn more about a divergent line of humanity. Karl and Terra are joined by Lt. Seran Talbur and sociologist T. E. Drummers. While first contact between the two groups goes smoothly, the scientists soon discover that the Noku River harbors an invasive population of insect larvae. Large moths hatch and start spreading a deadly parasite among both peoples, precipitating a struggle for survival not seen by the Herans for a thousand years, when Noku’s invaders last appeared. Maxwell (Butterfly Storm, 2011) continues the heroic arc of Margole in this second novel in the series, as she navigates her first disastrous Eros Ceremony (the mating ritual between stationary and nomadic tribes), and then throws in with the off-world scientists. Her reaction to their technology is grounded and endearing; in one tent she finds “smooth, shiny objects, some that spewed light, completely unlike that of the lanterns back home.” As the biological terror of the moths (among other creatures) amplifies and the tragedies pile up, Margole’s instincts to go against the grain prove invaluable to her tribe. Maxwell also broadens the scope of her series with a framing sequence involving manipulative aliens called the Avonades. YA and sci-fi audiences should love this ferociously smart sequel.
The author pushes her cast of Herans and earthlings—along with readers—through an unforgettable emotional crucible.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Alaskan Bookshelf
Review Posted Online: May 2, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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