by Suzanne McNear ‧ RELEASE DATE: Dec. 31, 2012
Self-indulgent but worth reading for those interested in the self-dramatizing stars of the American literary scene of the...
Editor and short story writer McNear (Drought, 2009) sketches the life of her alter ego, March Rivers, from her mother's womb to the present day.
McNear, an editor at Playboy in the magazine's heyday and a graduate student at the University of Wisconsin at the height of student unrest, has stories worth telling, and her kaleidoscopic, stream-of-consciousness style alternately engages and disorients. At her best, the author describes people and events in striking, original and funny ways; one character has “pools of white blonde hair that fell about her bare shoulders, like whipped cream”; another looked “like a gigantic mattress, wrapped up in plaid.” At her worst, she is a shameless name-dropper who compulsively lists her literary influences. Although individual sentences light up the prose, too much remains hazy and unsatisfying. The author's many vague disappointments and regrets are not the stuff of drama, and it's hard to become engrossed in the life story of someone for whom so little is at stake: McNear was born to wealthy parents, well-educated, well-connected, and the recipient of free housing, maid service, book contracts and highly coveted editing jobs. Many privileged people lead lives as worthy of documentation as anyone else's, but the privileged must take extra care to avoid being perceived as entitled. Given that she is hyperaware of her own feelings and largely unconcerned with those of others, including her daughters, whom she “failed…in ways she regretted, but could live with,” McNear is unlikely to come across as anything else.
Self-indulgent but worth reading for those interested in the self-dramatizing stars of the American literary scene of the 1960s and ’70s.Pub Date: Dec. 31, 2012
ISBN: 978-1-57962-286-2
Page Count: 200
Publisher: Permanent Press
Review Posted Online: Nov. 12, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
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