by Suzanne Slade ; illustrated by Jennifer Black Reinhardt ‧ RELEASE DATE: Sept. 8, 2015
Not exactly eloquent advice, perhaps, but on target.
What would a renowned, established inventor have to say to a hopeful young tinkerer?
Slade precedes her description of a historical meeting with interwoven accounts: one of Thomas, a disaster-prone experimenter who parlays an early interest in gadgets and electricity into a pen that produces multiple copies, a phonograph, and hundreds of other popular innovations; the other of Henry, born 16 years later, whose yen to produce a practical, inexpensive motor car encounters obstacle after frustrating obstacle. At last, hoping for insight into Edison’s success, Henry buttonholes the great inventor at an 1896 dinner. The two instantly fall into a technical discussion, climaxed by the excited Edison’s “Keep at it!” And, of course, Ford goes on to craft his Models A through T, the “Tin Lizzy.” Reinhardt’s watercolor scenes, often bordered with toothed gears or antique-looking curlicues, feature two dapper but slightly rumpled figures thinking, tinkering, and showing off the iconic products of their determined efforts. Along with noting specific design changes and flaws in selected early Fords, the author and illustrator close with fuller notes on major Edison-ian inventions, the development of the Model T, and particularly the lifelong friendship that the encounter kindled between these two giants of industrial technology.
Not exactly eloquent advice, perhaps, but on target. (timeline, source notes, bibliography) (Informational picture book. 8-10)Pub Date: Sept. 8, 2015
ISBN: 978-1-58089-667-2
Page Count: 48
Publisher: Charlesbridge
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 1, 2015
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by Megan McDonald ‧ RELEASE DATE: March 1, 1999
From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by Daniel Peddle ‧ RELEASE DATE: Jan. 1, 2000
Peddle debuts with a small, wordless epiphany that flows like an animated short. A low winter sun first lights a child building a snowman, then, after a gloriously starry night, returns to transform it—to melt it. Leaving most of each page untouched, Peddle assembles a minimum of accurately brushed pictorial elements for each scene: the builder; the snow figure; their lengthening shadows; the rising sun’s coruscating circle in the penultimate picture; a scatter of sticks, coal, and a carrot in the final one. Most children will still prefer The Snowy Day, but others may find layers of meaning beneath the story’s deceptive simplicity. (Picture book. 4-9)
Pub Date: Jan. 1, 2000
ISBN: 0-385-32693-9
Page Count: 28
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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