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AROUND AGAIN

Bleached of genuine drama or human interest, an excellent driving-in-the-car-while-looking-for-parking-place-near-the-beach...

Shea’s lackluster fourth (Lily of the Valley, 1999, etc.) follows a woman’s recollection of a formative summer on a pony farm—when her best friend kidnapped a baby and stole her boyfriend.

With bland prose that expends itself in quantities far more impressive than the simple points it tries to make, Shea introduces 40-ish Robyn Panek as she returns to her Uncle Pal’s horse farm in Massachusetts to sell the old place. Uncle Pal, widowed for some years, has recently fallen ill and is intent on getting rid of it. Shea stirs memories as Robyn recalls the girlhood summer she spent on the farm, when the overbearingly named Lucy Dragon, a distant relative, showed up for a visit in the aftermath of a suicide attempt. Robyn asserts that this had been shocking for her, but Shea never really gives the reader a feel for it, aside from some stale “I remember I went to a mental institution once and it was scary” anecdotes from Lucy. Robyn had also been in love with goodhearted Frankie, the delivery boy from the local dairy, and shortly after Lucy arrived, she began flirting with him. Lucy then snatched a nearby baby and hid out with Frankie for a few days, until the three of them were caught. Robyn fled, but two decades later, Lucy herself, now an established realtor, shows up to help sell the farm. She’s in a giving-something-back sort of mood and confides to Robyn that she’d been pregnant, had been forced to give the child up for adoption, and was feeling some baby-yearning that summer. Frankie shows up, too, tells Robyn the dark secret of hiding with Lucy, and owns up to the fact that he’s still in love with Robyn. They get together, but one morning both the prized horses and Lucy go missing. Mad reenactment of a past horror? Not to worry: Lucy’s been swinging a sweet deal that leaves everyone happy.

Bleached of genuine drama or human interest, an excellent driving-in-the-car-while-looking-for-parking-place-near-the-beach read.

Pub Date: July 10, 2001

ISBN: 0-7434-0375-4

Page Count: 352

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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