Don't look to these unauthorized ``confessions'' by three sisters and former Dallas Cowboy cheerleaders for a history or exposÇ of the famed cheerleading corps. It tells almost nothing about the organization but is, instead, a shallow, sticky paean to overweening glamour and materialism. Suzette made the 36-woman squad in 1978, followed a year later by Stephanie (who, despite the triumvirate byline, narrates the ``story''). Both were retired by 1982. Third sister Sheri caught on as an alternate in 1985 but quit before the end of the season. Their mother, who dominates the first half of the book, was in hot pursuit of ``every little girl's dream,'' strictly coordinating her daughters' ``look,'' dating, and behavior: They were never to wear jeans or speak loudly. (``A low-class gutter sow'' is loud; a ``real lady...is as quiet...as a rose.'') Stephanie's most traumatic experience as a Dallas Cowboys Cheerleader was, as she tells it, hearing of director Suzanne Mitchell's displeasure with her hairdo: ``I was very confused...I would look in the mirror for hours and cry. I hated myself.'' The payoff for ``the Rockettes of football'' certainly wasn't the $15 per game or even the personal appearances, TV movies, and game shows—for which the girls most often were not paid; it was, instead, a privilege just to wear the blue hot pants and bask in the Texas spotlight, to be treated ``like a geisha'' and end up ``being supported by rich men.'' Gushing descriptions of ``wholesome'' sexuality, coyote fur coats, and snakeskin boots; facile emotional crises and Fantasy Island pink/sunset romances with handsome oilmen; plus a lack of substantive information about the subject—all make for a relentlessly vacuous exercise. (Sixteen pages of photographs—not seen.)
Pub Date: Sept. 27, 1991
ISBN: 0-312-06334-2
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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