Extraordinary, emotional, and beautifully rendered.

READ REVIEW

SMALL IN THE CITY

A child navigates the city’s relentless sights and sounds.

The child, light-skinned but with race and gender ambiguous under layers of winter outerwear, pulls the stop-request string inside the bus and trundles into the midtown maw. A savvy kid, but so small within the double-page spread of skyscrapers, commuters, stoplights, and construction. Text appears in the white space between buildings, “I know what it’s like to be small in the city.” Young readers will feel their hearts constrict, as they all know what it’s like to confront a towering, intimidating world. Hand-drawn frames, presented in quadrants, contain both powerful close-ups and wider scenes (taxi taillights, crosswalks, chain fencing, the child’s bobbing pom-pom) that mark time and distance. A page turn delivers full-page pictures of the looming city, with dizzying linework and detail. Cinematic scenes feel at once atmospheric and photorealistic. With snow accumulating and light dwindling, the narrator gives voice to the reader’s concern: “People don’t see you and loud sounds can scare you, and knowing what to do is hard sometimes.” This incisive language distills the hardest part of childhood: the precarious hold small people have on their own agency. A brilliant narrative twist reveals itself at the end of this tender picture book, which stretches readers’ concern painfully as the voice begins warning of dark alleys and dogs, and points to warm churches and free food.

Extraordinary, emotional, and beautifully rendered. (Picture book. 6-10)

Pub Date: Sept. 3, 2019

ISBN: 978-0-8234-4261-4

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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MR. POPPER'S PENGUINS

This is rather a silly story, and I don't believe children will think it particularly funny. A paper hanger and painter finds time on his hands in winter, and spends it in reading of arctic exploration. It is all given reality when he receives a present of a penguin, which makes its nest in the refrigerator on cubes of ice, mates with a lonely penguin from the zoo, and produces a family of penguins which help set the Poppers on their feet.

Pub Date: Sept. 26, 1938

ISBN: 978-0-316-05843-8

Page Count: 139

Publisher: Little, Brown

Review Posted Online: Jan. 15, 2014

Kirkus Reviews Issue: Sept. 1, 1938

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THE STONE OF FIRE

From the Cavemice series , Vol. 1

Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.

Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)

 

Pub Date: Jan. 1, 2013

ISBN: 978-0-545-44774-4

Page Count: 128

Publisher: Scholastic

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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