FOCUS: FOUR WOMEN PHOTOGRAPHERS

In her amazing first book for young readers, Wolf tells the stories of five women photographers from Victorian times through the present. Julia Margaret Cameron (1815-1879), an English woman born in India, began photographing at the age of 48. Unlike her contemporaries, Cameron tried to make her portraits less forced and unnatural and was often criticized for her fuzzy images and allegedly poor technique, but she is recognized today as a true innovator in the art of portraiture. In contrast to Cameron's studiously unstudied works are those of Sandy Skoglund (b. 1946). Her striking photo, ``Radioactive Cats'' (1980), shown on the cover, is not retouched: She painted the room, sculpted the cats, and designed the display for six months before she took the picture. Flor Gardu§o (b. 1957) and Lorna Simpson (b. 1960) use very different techniques to capture the culture and history of Latin-American Indians and African-Americans, respectively. Gardu§o the Indians engaged in their daily affairs, while Simpson uses stark images and multimedia displays to combat racial stereotyping and to remember the past. Margaret Bourke-White's (1904-1971) spectacular career provides the most historically significant images in the book. Bourke-White was an intrepid photographer who gave the world such enduring photos as the ``Dam at Fort Peck, Montana'' (1936), the first cover of Life magazine; ``Buchenwald, Germany, the Day after Liberation, April 1945''; and the politically charged picture of Ghandi posed with his spinning wheel. Wolf presents the artists in simple, elegant prose, and her analyses of their works are thoughtful and convincing. The photographs are beautifully reproduced and precisely credited, each one a masterpiece. (Nonfiction. 9+)

Pub Date: Sept. 1, 1994

ISBN: 0-8075-2531-6

Page Count: 64

Publisher: Whitman

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

CORALINE

A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)

Pub Date: July 1, 2002

ISBN: 0-380-97778-8

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2002

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NIM'S ISLAND

A child finds that being alone in a tiny tropical paradise has its ups and downs in this appealingly offbeat tale from the Australian author of Peeling the Onion (1999). Though her mother is long dead and her scientist father Jack has just sailed off on a quick expedition to gather plankton, Nim is anything but lonely on her small island home. Not only does she have constant companions in Selkie, a sea lion, and a marine iguana named Fred, but Chica, a green turtle, has just arrived for an annual egg-laying—and, through the solar-powered laptop, she has even made a new e-mail friend in famed adventure novelist Alex Rover. Then a string of mishaps darkens Nim’s sunny skies: her father loses rudder and dish antenna in a storm; a tourist ship that was involved in her mother’s death appears off the island’s reefs; and, running down a volcanic slope, Nim takes a nasty spill that leaves her feverish, with an infected knee. Though she lives halfway around the world and is in reality a decidedly unadventurous urbanite, Alex, short for “Alexandra,” sets off to the rescue, arriving in the midst of another storm that requires Nim and companions to rescue her. Once Jack brings his battered boat limping home, the stage is set for sunny days again. Plenty of comic, freely-sketched line drawings help to keep the tone light, and Nim, with her unusual associates and just-right mix of self-reliance and vulnerability, makes a character young readers won’t soon tire of. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-375-81123-0

Page Count: 144

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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