by Sylvie St. Marie ‧ RELEASE DATE: April 15, 2013
A sharp story with not one false note, rendered with eerie tones and a revealing commentary on money, power and loyalty.
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A 14-year-old girl’s supernatural talent sparks winds of change in this dystopian YA novel.
For as long as she can remember, Cassandra has always known where north is. She lives in Sector 17 with her uncle and parents, all of whom are Agricoles who work at Blissful Woods, a deep forest theme park where they “depict” the seasons for the visiting Technostians. In a world carefully controlled by the Daisy Consortium, Cassandra and the other Agricoles attend school only until age 10, work in the Blissful Woods, and are forbidden to speak of the past—especially the books, the old world and the attempted uprising that took place when Cassandra was 4. Uncle Solon takes a special interest in Cassandra, though, and breaks these rules to teach her to write. Despite this, when the Agricole children are tested for a special Consortium school, it’s her best friend Rachel, not Cassandra, who’s chosen. Cassandra could be content to work with her family, preparing for the sugaring “Depiction” of the snowy maple trees, but a visit to the weather station reveals that Cassandra’s internal compass can also control the wind. Shortly after, Cassandra is visited by men on horseback who want to see her compass in action for themselves. When Cassandra shares the interaction with her family, Uncle Soron explains that the horsemen are the Liber Voy, the mix of Agricole and Technostian rebels behind the uprising years ago. They come forward to explain how Cassandra’s gift could help them win the rebellion, though not before the Consortium intervenes. Cassandra’s parents abruptly flee Blissful Woods, leaving a note for Cassandra to meet them at the Colony, the main Consortium sector. Something is amiss in the request, but Cassandra goes with a band of young Agricole girls auditioning for a Moulin Rouge Depiction at the Colony. Once there, though, the girls are led not to an audition but to prostitution. Cassandra’s anger unleashes the wind, and she soon finds Rachel in the Colony. No one appears to be who they say they are, and Cassandra must choose between the greed and power that tempt her or the Liber Voy who say she could save them all. Engrossing from the start, the plot moves at a good clip, though dialogue, which can often sound rote and redundant, rules most of the story. Thankfully, that changes when Cassandra embraces her power and finds her voice. The narration lacks the detailed beauty of dystopian novels like The Giver (1993), but the story is nonetheless clear and heartfelt. Readers may wish for a deeper portrait of Cassandra, especially since compassionate, humorous Uncle Solon is so well-developed. Meanwhile, Cassandra seems to be what the people around her want her to be; fierce Katniss Everdeen she is not.
A sharp story with not one false note, rendered with eerie tones and a revealing commentary on money, power and loyalty.Pub Date: April 15, 2013
ISBN: N/A
Page Count: 173
Publisher: Amazon Digital Services
Review Posted Online: June 29, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Review Program: Kirkus Indie
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by Dan Saks ; illustrated by Brooke Smart ‧ RELEASE DATE: Sept. 1, 2020
A joyful celebration.
Families in a variety of configurations play, dance, and celebrate together.
The rhymed verse, based on a song from the Noodle Loaf children’s podcast, declares that “Families belong / Together like a puzzle / Different-sized people / One big snuggle.” The accompanying image shows an interracial couple of caregivers (one with brown skin and one pale) cuddling with a pajama-clad toddler with light brown skin and surrounded by two cats and a dog. Subsequent pages show a wide array of families with members of many different racial presentations engaging in bike and bus rides, indoor dance parties, and more. In some, readers see only one caregiver: a father or a grandparent, perhaps. One same-sex couple with two children in tow are expecting another child. Smart’s illustrations are playful and expressive, curating the most joyful moments of family life. The verse, punctuated by the word together, frequently set in oversized font, is gently inclusive at its best but may trip up readers with its irregular rhythms. The song that inspired the book can be found on the Noodle Loaf website.
A joyful celebration. (Board book. 1-3)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-22276-8
Page Count: 24
Publisher: Rise x Penguin Workshop
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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