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BOY IN THE IVY

THE INNER CHILD OF A BURIED MAN

An exceptionally well-written memoir offering insights about the darker side of the human psyche.

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In his deeply personal memoir, debut author McKinley draws lessons from his brother David’s late-life suicide. 

After his older brother’s suicide in 2009, McKinley wondered why his brother did it and why he didn’t succumb to suicide himself. He shares his answers in an illuminating autobiography, delving into his feeling of depression, shame and inadequacy. In Chapter 1, McKinley describes his brother’s disappearance and the family’s realization that it was suicide. He introduces the idea of “the buried man”—as if he and his brother buried the pain of self-loathing. From there, McKinley tells his life story, using Julia Cameron’s technique for healing the inner child from The Vein of Gold (1996). He writes about growing up during the turbulent ’70s in a moderately wealthy family, which slowly dissolved under the pressure of keeping up appearances. Readers learn that McKinley felt unwanted as a child; he believed bad things would happen and withdrew into childhood fantasies. Describing an evening with his parents, he says: “There were times it felt so cold in that living room I half-expected to see my own breath. The scarab scratch of pencil on paper was the only sound. We’d go on this way in silence until the fire died.” He goes on to recount his early adult life, bouncing from job to job, working in LA as a stand-up comedian, and finally settling into marriage, family and a steady career as an English teacher. Yet even into midlife, he admits being buried under suppressed rage and low self-esteem, which he medicated while refurbishing an old home—until something happened: He found a statue of a boy buried in ivy, which becomes the symbol of his life’s new direction. Rather than remaining buried in pain, he discovers the life-saving lessons his brother never learned: We should talk about our problems and ask for help, since we’re all worthy of love. McKinley’s knack for conversational, engaging writing transforms what could have been an ordinary, if tragic, tale of modern life into an intriguing read filled with exceptional insights conveyed without being preachy. Mercifully free of psychobabble, McKinley’s memoir resonates with genuine emotion.

An exceptionally well-written memoir offering insights about the darker side of the human psyche.

Pub Date: June 4, 2013

ISBN: 978-1482761290

Page Count: 282

Publisher: CreateSpace

Review Posted Online: Aug. 12, 2013

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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