A heartfelt work that takes its time conveying lessons of pain and kindness.
McMullin recalls a lifetime of hardships and blessings in ranch life and education in her debut memoir, the winner of two North American Book Awards.
The author was adopted from a Texas orphanage shortly after her birth. From a young age, her adopted family raised her as a Christian and encouraged her fondness for horses. However, when the family dynamic changed due to financial difficulties and the birth of a new sibling, McMullin says that she was emotionally abandoned by her adopted parents, who didn’t acknowledge her learning disability. In fifth grade, she writes, they briefly sent her into foster care due to her low grades, and they also sold her dog and expressed gladness when her horse died. Meanwhile, she suffered from physical impediments, including an eye ulcer and a debilitating back problem. McMullin’s faith gave her the strength to finish school and maintain a stressful work life. Her loyalty, strong work ethic, and patience endeared her to employers and to a group of friends who offered her stability and love, and she eventually became an educator and author. As her life continued to bring misfortune, including massive injuries from an automobile accident, she still had faith in God and relied on her network of friends. Overall, this memoir is a testament to the endurance of the human spirit in the face of emotional and physical pain. The author consistently notes the need for love and encouragement when dealing with both people and animals as well as the necessity of prayer and thankfulness; it’s almost a rhythmic incantation in the text. Readers will feel as if they’re walking alongside McMullin as she tells her story and advises readers how they, too, can survive setbacks; she couches all the painful experiences she relates, including a hostile confrontation with her adopted father, in lessons. With her memoir, the author effectively opens up a space, into which she invites readers to be a part of the family she longed for as a child.
A heartfelt work that takes its time conveying lessons of pain and kindness.Pub Date: Jan. 19, 2016
ISBN: 978-0-9967113-0-2
Page Count: 222
Publisher: CreateSpace
Review Posted Online: July 12, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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