A tragedy whose outcome is foretold and a gentle, uplifting contribution to the literature of death and dying.
A lyrical, searching meditation on terminal illness.
“Maybe death is not the worst thing?” So a friend asked Quinn, a thought that led her to ponder what might be worse—or better. Diagnosed with glioblastoma, a once-rare but increasingly common form of brain cancer, the author places her illness in the context of 2020, when bad news on the pandemic, the economy, and politics filled the newspapers. “I guess none of us have been living in ‘normal’ times,” she writes, with what proves to be characteristic generosity. Her life (she died in 2022 at age 42) had been one of service: founding food-relief organizations to serve the poor, including the Nashville Food Project; volunteering to aid poor communities in Nicaragua; and, as a one-time seminarian, trying to reconcile a view of theology too broad for any single faith to embrace. Quinn’s thoughts as her disease progresses are seldom self-centered, though, as she writes, “I’m not trying to gild the lily here—I hate this cancer.” Her concerns are mostly with her family and the grief they will experience, grief that she was forced to navigate as she drew closer to debilitation and death: “It’s becoming harder and harder for me to think and write.” Even at the end, having given the gift of food for so long—and having carefully distinguished things done for others and done with others—Quinn praises her young daughter for making dinner for her husband and son, noting “how lucky the boys are—and will be—to have her cooking amazing food for them and with them.” There are moments of pathos, but far fewer than the author deserves to air. Instead, the narrative becomes a prayer to life, with a conclusion comforting anyone on the path to death—which is to say, all of us—that imagines what she might become in the afterlife.
A tragedy whose outcome is foretold and a gentle, uplifting contribution to the literature of death and dying.Pub Date: April 19, 2022
ISBN: 978-0-593-44290-6
Page Count: 208
Publisher: Convergent/Crown
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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