Pierce (Magic Steps, 2000, etc.) continues to individually develop her quartet of adolescent mages. Former street rat Briar Moss, now 14 and a fully certified Mage, visits the distant city of Chammur with his mentor Rosethorn, in order to use their plant magic to replenish its depleted soil. While sightseeing, Briar discovers the homeless waif Evvy leaking stone magic. Reluctantly tutoring her in the control of her incipient powers, he becomes embroiled in a gang war, as the Vipers, prodded by a bored noblewoman, seek to profit by Evvy's talents. While retaining his most appealing traits—his affectionate bond with plant life, his jaundiced skepticism towards authority, and the prickly sarcasm disguising his deep love for his teacher and foster sisters—Briar also matures through the rewards and frustrations of teaching; and the threat to his protégé forces him to confront his romanticized ambivalence toward his own childhood gang. Strong-willed Evvy is a delightful addition to Pierce's mostly female cast, and the villainous Lady Zenadia oozes serpentine menace. Most fascinating is rose-red Chammur itself, with its timeworn stones, bustling bazaars, dusty rooftop roads, and cool, shaded palaces. Ancient, arid, elegant, sinister, sophisticated, weary, and cruel, Chammur drips with an exotic atmosphere clearly inspired by (if uncomfortably close to stereotyping) classical Arab culture. A must for Pierce's many fans, and a solid choice for those interested in a different take on gangs, faraway lands, or just good imaginative fantasy. (Fiction. 9-14)
Pub Date: April 1, 2001
ISBN: 0-590-39628-5
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2001
Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)
Pub Date: Sept. 1, 2000
ISBN: 0-618-05581-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...
A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.
It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)Pub Date: Sept. 24, 2013
ISBN: 978-0-385-74356-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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