THE REFORMATORY
by Tananarive Due
No matter how much you’ll want to look away from the callous injustice and horrific abuse depicted here, this period thriller’s investment of urgency and imagination keeps you riveted.
It's 1950 and the relatively sheltered life of Robert Stephens, a 12-year-old African American boy living in Florida, is changed forever when he comes to the aid of his older sister, Gloria, who is harassed by the teenage son of their town’s wealthiest white man. Though Robert does nothing more than kick Lyle McCormack, reprisals only begin with Lyle’s father brutally boxing Robert’s right ear. Robert is soon handcuffed, dragged away by police, and given a quick trial. He's sentenced to six months at the Gracetown School for Boys, euphemistically known as “The Reformatory,” an institution known for racism and brutality toward its adolescent population. Thirty years before, a fire at the school killed 25 boys, many of whom were buried in a gravesite on the grounds along with the bodies of other inmates who died prematurely (and mysteriously). Somehow, Robert can communicate with these dead boys’ ghosts, and the institution’s creepy and corrupt Warden Haddock promises Robert early release if he will somehow help him put these “haints” in something called a “collection jar.” And yes, the spirits are out to get the warden, too. For revenge. But mostly, they want Robert to help set them free and let them be at peace. Meanwhile, Gloria is fiercely, doggedly determined to set Robert free, using whatever legal means are available to a young Black woman in the still-segregated South, including the NAACP. Like Colson Whitehead’s Pulitzer–winning The Nickel Boys (2019), this novel is based on Florida’s infamous Dozier School for Boys. Due brings her own gifts in the supernatural-fantasy genre as well as elements of her own family history (the book is dedicated in part to her great-uncle, who died at Dozier in 1937) to this vividly realized page-turner, which is at once an ingenious ghost story, a white-knuckle adventure, and an illuminating if infuriating look back at a shameful period in American jurisprudence that, somehow, doesn’t seem so far away.
A novel that reminds its readers that racism forges its own lasting, unbearable nightmares.