edited by Taneka Stotts ‧ RELEASE DATE: Jan. 11, 2017
An impressive, memorable anthology highlighting writers and artists of color.
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A collection delivers comics by artists of color from around the world.
Bringing together short graphic narratives from 32 contributing artists, debut editor Stotts has crafted a group exhibition that showcases the deep and diverse talent available in the realm of comics. The anthology is a response, in part, to the dearth of creators of color represented in mainstream comic publishing. As Shing Yin Khor writes in the foreword: “We are tired of the scraps being offered to us at the traditional publishing table, when we have already proven...that there is both an audience and a market for our voice and our work.” The pieces are united by aesthetic and theme. Each is colored mostly in black and white, with select use of red to highlight elements within the narrative. Each deals in some way with the idea of fire, and many feature storylines that revolve around loneliness, inadequacy, untapped ability, and unexpected friendship. Some pieces miss the mark, providing either too little or too much information to hook the reader in just a few pages. Others use simplicity to their advantage, as in the cinematic “Cactus Flower,” by Sarah DuVall, in which lush panels and a few sparse words document a woman’s mysterious magical rite. The equally laconic but visually busy “Metta Helmet,” by Deshan Tennekoon and Isuri Merenchi Hewage, offers a fable on the contagiousness of kindness. In “Breathe,” Kiku Hughes creates an apocalyptic folk tale from the distant future that is as universal as it is inscrutable. Other standouts include the fantastical “Firefly” by Myisha Haynes, the abbreviated space opera “Pulse” by Der-Shing Helmer, and the heartwarming “Starfall” by Ash G., which ends on the lovely sentiment—shared by two young seekers—that “we’ll find the answers without hurting anybody, won’t we?” The comics are meant for readers of all ages, and while each is accessible enough for youngsters to enjoy, most grapple with larger concerns that are relatable to a much older audience. Both longtime fans of comics and readers new to the medium should find plenty here to entertain and inspire.
An impressive, memorable anthology highlighting writers and artists of color.Pub Date: Jan. 11, 2017
ISBN: 978-0-9982828-0-0
Page Count: 272
Publisher: Beyond Press
Review Posted Online: Oct. 5, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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