by Tanya Lloyd Kyi ‧ RELEASE DATE: March 14, 2017
Though there are plenty of issues worthy of attention not addressed here, this lively effort serves well as a revealing,...
The word “Orwellian” is oddly absent in this chilling look at how we now live in a world of near-constant surveillance and data collection.
Kyi examines how information and data about almost everyone are collected and used by individuals, government agencies, companies, and other organizations. She poses three questions to readers: who’s watching, and why? Where is the line between public and private? How can you keep your secrets to yourself? These questions are addressed in chapters exploring such subjects as computer surveillance, cyberbullying, data mining, and personal privacy. There is discussion of such surveillance technologies as drones, GPS, and RFID tags. Although there is little here that does not seem creepy, “Creepy Line” sidebars in each chapter highlight controversial real-life scenarios and ask readers where they would set their own boundaries. That label refers to a statement from former Google CEO Eric Schmidt, who said the company’s policy was “to get right up to the creepy line and not cross it.” There are also ongoing arguments posed for both increased security and increased privacy, encouraging readers to think critically about the issues.
Though there are plenty of issues worthy of attention not addressed here, this lively effort serves well as a revealing, thoughtful, and provocative introduction to a complex subject and alarming realities. (further reading, source notes, index) (Nonfiction. 12-16)Pub Date: March 14, 2017
ISBN: 978-1-55451-911-8
Page Count: 140
Publisher: Annick Press
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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by Somer Flaherty ‧ RELEASE DATE: Sept. 26, 2012
For a guide to fashion, there's not much flair here. But there's plenty of valuable info for budding fashionistas and...
A matter-of-fact tone removes the mystery from style in this work that is one-part fashion manual and one-part career guide.
Flaherty begins by explaining what a stylist is and the tools he or she uses. She moves on to a wide range of different looks like Socialite, Tomboy and Hipster; fashion elements like color and prints; and a thorough understanding of body type. While the number of fashion personalities is impressive, not one is male, a confusing omission given that boys wear clothes, too. The section on body types is very useful with its real-world examples, Naomi Campbell representing the Inverted Triangle type. The second half is more practical, focusing on "curating" a closet, building a wardrobe, styling oneself and others, and styling as a career. Sprinkled throughout the text are activities like a fashion-movie night and organizing a clothing swap. The illustrations are attractive, yet it's too bad there isn't a greater variety of body types represented.
For a guide to fashion, there's not much flair here. But there's plenty of valuable info for budding fashionistas and stylists, going beyond the shallow glitz of fashion magazines and blogs. (index) (Nonfiction. 12-16)Pub Date: Sept. 26, 2012
ISBN: 978-0-9827322-4-3
Page Count: 160
Publisher: Zest Books
Review Posted Online: July 24, 2012
Kirkus Reviews Issue: Aug. 15, 2012
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by John Agard & illustrated by Satoshi Kitamura ‧ RELEASE DATE: Nov. 1, 2012
Considerably more edgy satire than Happily Ever After here; a bracing take for teens.
From Puss in Boots’ swaggering descendant “Puss-in-Trainers” to the titular break-and-enter artist caught on security cameras, Agard lays urban-inflected modern twists on 29 folkloric characters.
Written in rhyme or free verse with hip-hop cadences, the poems are nearly all in first person and range in tone from funny or acid (“Bring on your shining armour, dude. / I’ll be your damsel in distress with attitude”), to dark, even threatening. Many offer fresh approaches to the familiar, such as quick portraits of Cinderella in biker leathers and Iron Jack as an emotionally vulnerable Gulf War vet. An apple and a magic mirror provide unusual points of view about their assigned roles, as do “Two Ugly Sisters” who defiantly declare that they “won’t be face-down in no make-up kit / We give the thumbs-up to hair in the armpit,” but end with a sobering “Never mind the eye, we enchant the ear / From our ugly mouths come song, come prayer.” The poems are printed in a variety of typefaces, and Kitamura’s heavily inked black-and-white cartoons or silhouettes likewise change looks while adding appropriately dark, angular, energetic visual notes.
Considerably more edgy satire than Happily Ever After here; a bracing take for teens. (Poetry. 12-16)Pub Date: Nov. 1, 2012
ISBN: 978-1-84780-183-8
Page Count: 64
Publisher: Frances Lincoln
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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