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A CHILD OUT OF ALCATRAZ

A fascinating and wonderfully evocative first novel about life on Alcatraz—seen through the eyes of a little girl growing up on the Rock in the 1950s. Though not widely known, it was not only America's most wanted who called Alcatraz home: The prison guards and their families also resided on the island, living in quaint cottages, the children taking the San Francisco ferry to school, and the families managing a modest social life. Here, the story of one such family unfolds under the looming shadow of the prison. Olivia is born the year her parents move to Alcatraz, and the disintegration of her family is told mostly through her innocent perspective. Chapters of her observations on her mother's diminishing mental state and her siblings' ironic delinquency are intermingled with riveting sections on the history of Alcatraz, prison policy, and famous escape attempts, along with a flashback narrative of Olivia's parents as newlyweds. Vivian, the brilliant daughter of radicals, is sent back east for college, where she meets Arthur, a handsome and authoritative law student. When they suddenly marry, the contours of their relationship begin to shift—the fiercely independent Vivian becomes passive and accommodating to please Arthur, while he quits school so that he can support his wife like a ``man.'' Years later, isolated on the island, with three children, a rigid husband, and broken dreams, Vivian begins the sad decline Olivia is witness to. Aptly, the prison and a prison guard husband become a metaphor for the stultifying life offered women in the '50s, while the failed attempts at escape symbolize the futile struggle to break cemented domestic patterns. Olivia grows into a rather lonely, friendless young woman, enduring the physical and mental alienation the island creates. Only when she finally escapes the island does she discover a sense of identity and triumph. A compelling story, richly evoking a time and place.

Pub Date: April 24, 1997

ISBN: 0-571-19910-1

Page Count: 266

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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