by Tara White ‧ RELEASE DATE: March 15, 2015
Though stories of contemporary Indian youth are badly needed, this one fails to engage.
A Mohawk girl adopted into a white family gets in touch with her heritage against the backdrop of the 1990 Oka crisis in Quebec.
Carrie has always felt different. The “only black-haired, dark-skinned girl” in her small Ontario town, she even feels out of step with her parents. Both doctors, they expect her to study hard, avoid boys and excel in science. She also has strange, vivid dreams; these are becoming more frequent and violent, featuring a teenage boy with a long, black braid. When she sees that boy at a youth-hockey tournament, she feels an instant connection. In short order, she learns that her biological father is a Mohawk who lives with his mother and her twin sister on the Kahnawake reserve, where Indians are protesting the building of a golf course on a burial ground. When she goes there to spend a week with her newfound family, she becomes caught up in the protests. A Mohawk herself, White’s story suffers from its brevity. Carrie’s adoptive parents are two-dimensional caricatures, and Carrie’s acceptance of her new identity is achieved with a speedy placidity that readers will find hard to believe. Still, her sister’s resistance to Carrie is believable, giving the narrative a badly needed edge as Mohawk-army tensions escalate. Frustratingly, although the story ends with the resolution of the crisis, readers never learn what actually happened.
Though stories of contemporary Indian youth are badly needed, this one fails to engage. (Historical fiction. 10-14)Pub Date: March 15, 2015
ISBN: 978-1-896580-77-7
Page Count: 112
Publisher: Tradewind Books
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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