A raw depiction of one man’s troubled life and the web of social forces that worked to shape it.
A rumination on the way systems of power and currents of hope in modern-day Malaysia can influence a life.
When Lee Hock Lye clubs a Bangladeshi stranger to death with a two-foot piece of wood, everyone is searching for a motive. Even after Ah Hock has served his three-year prison sentence, an American-educated sociology student wants to interview him for her dissertation. She wants to understand his story. “Why? That’s what you want to know. Just like everyone else,” he confronts her early in the novel, “But like the others, you’re going to be disappointed.” Ah Hock himself has spent months reckoning with the why of it all, but to no end. “I tried to excavate the layers of my thoughts,” he explains, “digging patiently the way I used to in the mud on our farm when I was a child.” Still, Ah Hock invites the student into his home and, over the course of several months, shares the details of his past, hoping she can “set the record straight” where his defense attorney got it wrong. Aw (Five Star Billionaire, 2013, etc.) drops readers into each phase of Ah Hock’s life, beginning with his birth in a small Malaysian fishing village, moving through his childhood days as a passive onlooker to his friend Keong’s reckless ambition, and capturing in warm detail the sense of “permanence” and “abundance” he once felt building a farm with his mother. As he crafts Ah Hock’s narrative, Aw masterfully conveys his protagonist's specificity while also weaving together a larger picture of the class divisions, racial biases, unjust working conditions, and gender roles that pulse under the surface. Through his interviews with the student—and his reflections on his role as a subject—Ah Hock shares the vital pieces of his story that escaped cross-examination.
A raw depiction of one man’s troubled life and the web of social forces that worked to shape it.Pub Date: Sept. 3, 2019
ISBN: 978-0-374-28724-5
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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