An energetic romance that would make Nora Ephron proud.
Cyrano de Bergerac meets classic rom-com banter in this contemporary romp about the highs and lows of modern dating.
Miles Ibrahim is possibly at the lowest point in his life: His engagement is over, his ex-fiancee announced a surprise pregnancy, he’s forced to crash on a friend’s couch, and his freelancing gig of playing ghostwriter for online dating profiles is in jeopardy. To add insult to injury, Miles now has competition for the free day-old biscotti and large window seat at one of his favorite cafes in New York. Miles’ cafe interloper is Zoey Abot, recent transplant from California. Though both Miles and Zoey get off on the wrong foot, they have way more in common than they realize. They’re affected by the loss of trust from loved ones. They are firmly in the camp of “starving artist” as they scrounge and scrimp to afford rent and food in the Big Apple. They’re also both secretly wooing one another as dating profile ghostwriters for other people. Both Miles and Zoey are complex and lively characters who sizzle and spark when together, and getting to know their adorable family members is an added, heartwarming bonus. Miles’ parents are a Muslim and Jewish couple, and they adore their son to bits. Meanwhile, Zoey is still dealing with abandonment issues from her parents, who met in the Philippines while doing disaster relief; thankfully, she has a lovely best friend who is also her grandma. At times, the romantic pacing gets bogged down in the details of Miles' and Zoey’s larger social circles, like Zoey’s definitely racist boss, Clifford, and the persnickety boyfriend of Miles’ best friend. For those feeling the lack of romantic comedies on the screen, this book will undoubtedly scratch that itch with its excellent banter, secret personas, and slow-burn attraction between a hero and heroine vying for a table big enough to put down their laptops.
An energetic romance that would make Nora Ephron proud.Pub Date: May 26, 2020
ISBN: 978-1-4967-3065-7
Page Count: 352
Publisher: Kensington
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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