by Taylor Branch ‧ RELEASE DATE: Jan. 1, 2013
Though no substitute for the larger epic, the book is a reliable gloss on a troubling era.
The quick-read version of the author’s three-volume America in the King Years, focusing more on dramatic high points than narrative context.
The best that can be said of this slim, digestible book is that Pulitzer winner Branch (The Cartel: Inside the Rise and Imminent Fall of the NCAA, 2011, etc.) was in charge, and he knows where to cut and how to stitch. As the title suggests, this is a series of scenes from the civil rights struggle, drawn from the three volumes of Branch’s massive trilogy: Parting the Waters (1988), Pillar of Fire (1998) and At Canaan’s Edge (2006). For students new to the subject (or readers in a hurry), this book gives a solid sense of how the civil rights movement grew under Martin Luther King Jr., from the day he was drafted to lead the Montgomery Bus Boycott in 1955 to his assassination on the steps of a Memphis motel in 1968. The chapters along the way hit all the watershed events: the Freedom Rides, the 1964 March on Washington, the murders of civil rights workers in Mississippi, the polarizing effect of the civil rights bill on the Republican and Democratic political conventions, FBI Director J. Edgar Hoover’s poisonous campaign against King, the 1965 march from Selma to Montgomery, and the way a defiantly nonviolent movement splintered into more radical groups under Malcolm X and Stokely Carmichael. Branch seamlessly weaves together different parts from separate volumes to provide a coherent story in each chapter, and the stories are well-told but occasionally frustrating—readers will often want more.
Though no substitute for the larger epic, the book is a reliable gloss on a troubling era.Pub Date: Jan. 1, 2013
ISBN: 978-1-4516-7897-0
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: Sept. 24, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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