by T.C. Anthony ‧ RELEASE DATE: Nov. 28, 2012
Fans of E.L. James will likely find this novel worth a look.
In Anthony’s debut, a dashing, dominant businessman sweeps a lonely girl off her feet, and they quickly fall into a submissive/dominant relationship.
This first installment of a planned trilogy chronicles the love affair between the razor-tongued Eva Chase and the super suave, slightly mysterious Mr. Alexander Mason and has many parallels to the smash-hit Fifty Shades of Grey trilogy; indeed, that series’ fans may have difficulty putting it down. Eva is an ambitious, driven businesswoman who has worked her way up to the top at Prime House Investments and plans to stay there. However, the sweet-smelling, muscular Alexander throws a wrench in those plans. From the moment of their first meeting, when Eva literally tumbles into his arms during a drunken bar dance on her birthday, she is powerless against him. She soon finds herself divulging to Alexander her deepest secrets and desires. The two embark upon a stormy, push-and-pull relationship, each struggling for power. All the while, Eva tries to keep her life together personally and professionally; luckily, the brazen brunette has her two best friends, Sam and Chrissy, to help. While the overall dom/sub theme is clear, it becomes a bit unclear as to who exactly is dominant and who is submissive as the novel progresses; will Anthony put Eva in charge, as she is in every other aspect of her life? The answer is still vague at the novel’s conclusion, which may frustrate some readers. Although Eva may strike readers as a bit grating at times—who is really that perfect or that driven?—her cat-and-mouse relationship with Alexander is consistently believable. That said, readers may want to know more about the relatively one-dimensional Alexander—more descriptions of him, more dialogue from him, and perhaps a peek into his storied and steamy past.
Fans of E.L. James will likely find this novel worth a look.Pub Date: Nov. 28, 2012
ISBN: 978-1479383115
Page Count: 284
Publisher: CreateSpace
Review Posted Online: Feb. 8, 2013
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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