Next book

THE BEST AMERICAN SHORT STORIES 2015

Confrontational and at times confounding, these are stories to get lost in, then gratefully chart a path homeward.

These stories thrive on discomfort, so much so that each small kindness registers as a minor miracle.

Editor Boyle favors dark tales, but they often have strange, bright moments. In Kevin Canty's "Happy Endings," a widower's worldview expands after he finds comfort in a massage parlor. "Unsafe at Any Speed" by Laura Lee Smith offers a cowed husband, father, and employee a one-day respite from ass-kissing via a highly spontaneous crime spree. There's a jittery veteran untethered from space and time ("The Fugue" by Arna Bontemps Hemenway) and one calmly using his prosthesis to shut down a dinner party ("The Largesse of the Sea Maiden” by Denis Johnson). Victor Lodato's "Jack, July" spends a hot, haunting day with a young man in need of a meth fix. As is common with this series, the authors' notes at the end include insight from each about the inspiration and process behind his or her chosen works. Jess Walter describes "Mr. Voice," the final story and a strikingly upbeat one, as all following from a perfect first line. Its 1970s setting and protagonist—a teen girl finding stability with her unusual stepfather—are a pleasing counterpoint to the downbeat and downtrodden who sometimes overwhelm this volume. Stories of children lost, then found, ("Sh'khol" by Colum McCann and "Thunderstruck" by Elizabeth McCracken) seem like they would resolve happily, but be not fooled. In the first, joy and relief immediately turn to suspicion and then a sense of greater loss; the second finds a family so fractured by what happened it's unclear whether they'll heal in its wake. Five of the 20 stories chosen first appeared in The New Yorker, and the others share their preference for occasional inscrutability. Many also test the boundaries of "short," nearly novellas in terms of length and scope.

Confrontational and at times confounding, these are stories to get lost in, then gratefully chart a path homeward.

Pub Date: Oct. 6, 2015

ISBN: 978-0-547-93940-7

Page Count: 416

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview