An engrossing, hallucinatory relationship story.
A young man struggles to articulate his chaotic but numbed feelings in this debut novel.
Seventeen-year-old Eddie falls headlong for Elizabeth, a freshman who plays in the school band with him. As they begin dating and grow closer, he’s as awkward and self-conscious as he is earnest about his first relationship: “In the beginning was Elizabeth, and Elizabeth was in light, and Elizabeth was light.” However, it turns out that circumstances have effectively blurred the line between fantasy and reality for Eddie; his father died years ago, and to this day, the young man addresses his thoughts to the void where his dad should be. His mother responds to the loss by clinging to Eddie in ways that slowly become sinister. And since the fateful car accident, he’s been put on mind-altering medication for unspecified reasons, which causes him to lurch through life in a physical, mental, and emotional fog: He assumed the medication was punishment for his disobedience, he explains, “the longest punishment in childhood history.” However, Elizabeth cuts through his detachment, shining in his memories like a divine being. Yet the significance of her presence in his life raises the stakes of their relationship in untenable ways. Typical hurdles, such as uncomfortable meet-the-parents dinners, assume a mythical awfulness in Eddie’s fragmented neuroses and visions, and he can barely enjoy his newfound happiness under the looming fear that he’ll somehow taint or pollute it. Hahn writes in a clipped, frenetic manner that effectively conveys his narrator’s mental state. Recurring images of snow, fire, and blood give the book religious overtones that feel almost medieval despite Eddie’s refusal to attend church with his mother. Other symbols crowd the story but in a manner that rarely feels heavy-handed; in a particularly engaging scene, for example, Eddie and Elizabeth argue as they watch an inflatable fun house collapse on a group of screaming children. Collectively, the author’s choices create a satisfying sensory experience as the protagonist seeks a real and present version of himself.
An engrossing, hallucinatory relationship story.Pub Date: Nov. 22, 2019
ISBN: 978-1-947041-28-8
Page Count: 162
Publisher: Running Wild Press
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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