Delivers some wake-up shots to the boxing community.
Current and retired boxers tell tales of stepping into the ring with “Iron Mike.”
At one time, there was no man more feared—and perhaps no athlete more popular—on the planet. With his unrivaled combination of speed and power, Mike Tyson escaped poverty and become a multimillionaire, appealing to even the most disinterested and jaded fans in the process. Tyson’s world came crashing down, however, when he was convicted of rape and sent to prison in 1992. After being released, his outrageous antics and questionable financial decisions turned him into more of a punch line than a puncher. Boxing journalist Kluck attempts to provide insight into the cultural icon Tyson was and the man he has become, through interviews with a number of his opponents, including Mitch “Blood” Green, James “Bonecrusher” Smith and Evander Holyfield, who famously had part of his ear bitten off by Tyson in a 1997 bout. The author had more than a little difficulty persuading some of his subjects to agree to interviews that would net them nothing in return. He also had trouble tracking many of them down, as several are doing time in prison or have squandered their fortunes on drugs and sex. While some fighters provide honest commentary on the former champ, few know him well enough to offer anything more insightful than the fact that he seemed like a nice guy or that they felt sorry for him. Tyson remains an enigma, but what becomes distressingly clear is the way boxing uses promising young men for profit, then spits them out when they begin to fade.
Delivers some wake-up shots to the boxing community.Pub Date: Nov. 1, 2006
ISBN: 1-59228-919-3
Page Count: 272
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
BOOK REVIEW
BOOK REVIEW
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.
The latest collection of interrelated essays by the veteran fishing writer.
As in his previous books—from The View From Rat Lake through All Fishermen Are Liars—Gierach hones in on the ups and downs of fishing, and those looking for how-to tips will find plenty here on rods, flies, guides, streams, and pretty much everything else that informs the fishing life. It is the everything else that has earned Gierach the following of fellow writers and legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life. In one representatively poetic passage, he writes, “it was a chilly fall afternoon with the leaves changing, the current whispering, and a pale moon in a daytime sky. The river seemed inscrutable, but alive with possibility.” Gierach writes about both patience and process, and he describes the long spells between catches as the fisherman’s equivalent of writer’s block. Even when catching fish is the point, it almost seems beside the point (anglers will understand that sentiment): At the end of one essay, he writes, “I was cold, bored, hungry, and fishless, but there was still nowhere else I’d have rather been—something anyone who fishes will understand.” Most readers will be profoundly moved by the meditation on mortality within the blandly titled “Up in Michigan,” a character study of a man dying of cancer. Though the author had known and been fishing with him for three decades, his reticence kept anyone from knowing him too well. Still, writes Gierach, “I came to think of [his] glancing pronouncements as Michigan haiku: brief, no more than obliquely revealing, and oddly beautiful.” Ultimately, the man was focused on settling accounts, getting in one last fishing trip, and then planning to “sit in the sun and think things over until it’s time for hospice.”
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.Pub Date: June 2, 2020
ISBN: 978-1-5011-6858-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich...
A reflective and entertaining journey through Japan, as the author seeks to reconnect with his martial arts sensei.
Lowry is a student of koryu (not to be confused with kendo), a style of Japanese classical swordsmanship. Koryu is a medieval art, like Noh and the tea ceremony, a style of combat born on the battlefield–but more importantly, it’s a way to address the world (though an esoteric one: Lowry may well be the only American practicing the art in the United States). Indeed, present-day practitioners refrain from exercising its fatal possibilities. Lowry’s sensei left the U.S. to return to Japan, urging Lowry to follow. Though his life headed in a different direction, he never forgot his training–when the time was ripe, he journeyed to Japan to join his sensei. The narrative revolves around this pivotal decision, and it provides a warm center from which the author expounds on such topics as the glories of a Japanese bath; the evolution of the Samurai caste; the peculiarities of Japanese landscape architecture; the elements of proper sandal-tying; the custom of the premarital shenanigans called yobai; and the teachings of mikkyo Buddhism. He also includes the vital story of the sword–what it reveals about Japanese life and technology, social structure and aesthetic values, etiquette, apprenticeship and the process of education. Lowry’s seriousness lends an earnest cast to the proceedings, but he’s not without a sense of humor–commenting upon his accomplished slurping of noodles, a friend’s wife notes, “He really sucks!”
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich tradition.Pub Date: Sept. 7, 2005
ISBN: 1-890536-10-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
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