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WHITEOUT

LOST IN ASPEN

Conover, who wrote so well about the low life in Rolling Nowhere (1983: railroad tramps) and Coyotes (1987: migrant workers), now spiritedly chronicles the high life—8000 feet above sea level and worlds above plebeian reality in the glittering ``paradise'' of Aspen. Neither well-known like Jack Nicholson, George Hamilton, Goldie Hawn, or the many other celebs he brushes shoulders with in his roughly chronological (late 1980's) account, nor wealthy like the CEOs and scions who have made tiny Aspen into a resort town with ``more million-dollar houses than Denver,'' Conover chooses the perch of an ``official voyeur'' from which to spy on Aspen life—as a cabdriver. His details of cabbie procedures (e.g., notes on cabbie lingo) drag a bit, but what he sees from his driver's seat, often acting as a delivery boy, shines—from the movie mogul who calls up in the middle of the night for some chocolate-chip cookies to Hunter Thompson calling up for some booze (``his rarefied appearance, virtual unintelligiblilty, and jerking manner made you wonder whether he was an imbecile or a genius''). As Conover makes his good-humored, wide-eyed way around town, partying (crashing a star-studded bash hosted by Don Johnson), soaking up Aspen history (neatly nutshelled here), interviewing the famous (including an over-the-hill John Denver), eventually changing jobs (to a post on The Aspen Times), he touches on Aspen's darker side, particularly in a grim account of the recovery of the body of a skier killed by an avalanche. It's the moneyed excess of Aspen life, though, that tugs at his soul, until, by book's end, he finds himself judging a beloved old Denver restaurant as ``very grey and middle-class. There was no glamour around for miles.'' A bit scattered and not as smooth as Coyotes—as Conover hops and comments here, there, everywhere—but full of flashes of insight and plenty of fun to read for the many enticing tales of the rich and famous.

Pub Date: Dec. 2, 1991

ISBN: 0-394-57469-9

Page Count: 280

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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