An affecting set of well-wrought literary tales.



Jones (Well Tended, 2014, etc.) follows the lives of several unmoored Texans in this short story collection.

“My father was a spy. Until last year, I thought his only steady work was as a son-of-a-bitch.” So begins “The Secret Agent’s Daughter,” one story in this set that chronicles the indignities, resentments, and familial gripes of a group of aging residents of the Lone Star State. In “Clean Getaway,” an old farmer is forced to confront mortality when an elderly friend fails to show up for their morning game of dominoes. A dying woman in “First Things First” summons her emotionally distant brother home to inherit the responsibility of caring for their ailing mother. Some characters seek to either flee their pasts or delve back into them, such as an author with multiple false identities and a man searching for an explanation for his father’s death many years after the fact. In these 11 tales, characters learn that experiences may not provide lasting wisdom, but they’ll certainly force them to learn a thing or two. Jones writes in a breezy, unadorned prose throughout that captures the earthy poetry of everyday speech: “Days passed, so little different each from the next that she wouldn’t notice how one day she’d have to put on a sweater when she gathered eggs, then a few days later, it was a coat.” Her gruff, guarded men and women embody a subtle humor that expertly summons the character of rural Texas. Not every piece manages to stick the landing, but the best ones provide more than a mere window into ordinary people’s lives—they present a measured examination of the human condition. Other standout pieces include “Across the Vermilion Border,” “The Woman with a Miniature Donkey,” and the title story, which concludes in a moment of earned beauty that will stay with readers for some time.

An affecting set of well-wrought literary tales.

Pub Date: April 19, 2017

ISBN: 978-1-62677-016-4

Page Count: 206

Publisher: MidTown Publishing Inc.

Review Posted Online: May 18, 2017

Kirkus Reviews Issue: June 15, 2017

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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