Anyone who loved predecessor Trash Can Days (2013) will keep reading to find out what happens next, but other readers may...

TRASH CAN NIGHTS

THE SAGA CONTINUES

From the Trash Can Days series , Vol. 2

Being a teenager—at least in this book—is a lot like having multiple personality disorder.

In the first chapter of the novel, Dorothy and Jake are typing the number 3407 into a calculator—it sort of spells “LOVE” upside down. By Chapter 20, Jake is TPing her house, and she’s stalking him with a pair of binoculars. Every major character goes through a personality change. Danny is selling drugs for the Raiders in one chapter and fighting the gang members in another. After a while, MPD starts to feel like a metaphor for the entire book. Steinkellner is capable of writing nearly flawless sentences (“Darrell snickered like a female weasel” is both funny and apt), but there are whole chapters of shockingly bad writing. Often, they’re bad on purpose. There are lengthy excerpts from songs and stories written by the students: “ ‘Never you mind that, my Handsome,’ Princess Dorothy said as she held Jacobim’s head against her ample bosom….” Unfortunately, they are not so bad they’re good. They’re just bad. The real problem is that reading the book feels exactly like being in junior high, complete with awful poetry.

Anyone who loved predecessor Trash Can Days (2013) will keep reading to find out what happens next, but other readers may find themselves looking for a story without quite so many mood swings. (Fiction. 12-18)

Pub Date: July 15, 2014

ISBN: 978-1-4231-6923-9

Page Count: 432

Publisher: Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A rambling tale about grief that will appeal to patient, sentimental readers.

YOU'VE REACHED SAM

Technology prevails over death, giving a teenage couple a second chance at goodbye.

High school senior Julie is paralyzed with grief over her boyfriend Sam’s death in a car accident. She avoids his funeral and throws away every reminder of him. They had planned to leave their small Pacific Northwest town together, and she now faces an uncertain and empty future. But one night she impulsively dials his cell, and, inexplicably, Sam answers. This is the first of many long conversations they have, neither understanding how or why this is happening but relishing the chance to say goodbye as they could not in life. However, Julie faces a difficult choice: whether or not to alleviate the pain of Sam’s loved ones by allowing them to talk to him, though it could put their own connection at risk. Yet, letting go and moving on might be just what she needs. The emotional tenor of the book is even throughout, making the characters feel remote at times and flattening the impact of momentous events—such as Julie and Sam’s first conversation—that are often buried in minor, day-in-the-life details. The time skips can also be difficult to follow. But the concept is a smart one and is sure to intrigue readers, especially those grappling with separation, loss, and mortality. Sam is cued as Japanese American; Julie defaults to White.

A rambling tale about grief that will appeal to patient, sentimental readers. (Fiction. 13-18)

Pub Date: Nov. 2, 2021

ISBN: 978-1-250-76203-0

Page Count: 304

Publisher: Wednesday Books

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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