THE AU PAIR

A brittle marriage and a too-perfect au pair upend a failed writer’s life in this clever, unsettling novel.

Wayne, author of six previous novels, returns with an ingenious dissection of marriage, masculinity, and privilege, propelled by a gimlet-eyed wit. The opening scene—a Manhattan fundraiser where tuxedoed men “like inflatable penguins” mingle over wagyu sliders with their “spectral, hollow-cheeked wives”—establishes both the novel’s milieu and the lopsided dynamic between Steven, a 45-year-old writer living off a long-ago bestseller, and his high-powered wife, Lucy, who bankrolls their life. His mortification is complete when he accidentally streams a phone notification to his writing class in which his wife confirms she’s paid his monthly stipend. Wayne excels at these micro-humiliations, exposing the psychic toll of dependency and artistic drift. But he also has fun sending up contemporary pieties, such as a school production of Hansel and Gretel retooled into a “generative dialogue” about loneliness. Instead of pushing the witch into the oven, Gretel asks her why she is “not practicing kindness.” After the sudden death of the family’s nanny, the novel’s tempo shifts into something more sinister and unnerving. Steven persuades his wife to recruit a young Norwegian au pair, Astrid, who exerts a Mary Poppins–like charm on the children, sidelining Lucy’s position in the household. Meanwhile, Steven’s creative paralysis gives way to an erotic fixation that Astrid reciprocates despite their 21-year age gap. Wayne is alert to cliche but complicates it by making Astrid less fantasy than catalyst, drawing out a buried childhood narrative that revives Steven’s writing even as it scrambles his judgment. The novel’s back half pivots into a thriller, culminating in a death and a trial that transforms private disgrace into public spectacle. If the resolution seems fanciful, it also sharpens Wayne’s point: In a culture hungry for confession, even failure can be repackaged as art.

A sly, unsettling hybrid of social satire and domestic thriller.