MERRY CHRISTMESS

Some say that Christmas is the happiest time of year—but that’s not true for Jordan and Stevie Clementine.

The 10-year-old fraternal twins face yet another fractured holiday with not even a Christmas tree in sight. Their parents, born Billy Clement and Sam Valentine, dated briefly but never married and, as friends, have raised the girls, even taking on their melded last name. The sisters dream of a Christmas with all four Clementines together, singing carols and playing games, but musician Billy is on tour much of the year, and community center director Sam is especially busy with work around the holidays. The white-presenting girls spend each Christmas with their dad in the shabby family-owned motel, along with their uncle, aunt, and 15-year-old cousin (who ruined last Christmas by revealing the truth about Santa). This year, Stevie and Jordan hatch plans to get their parents to remember past happy Christmases and want to spend the holiday together. Fortuitously for the twins, a flood from a burst pipe at the local dog shelter brings dogs to the motel—leading cynophobic Billy and the girls to stay with Sam. The snowy, small-town Saskatchewan setting feels authentic, with many cultural details that add interest; however, the girls’ dual narrations are difficult to distinguish despite their opposite and rather one-note personalities and the supporting cast is similarly two-dimensional. Musician Quin’s solo debut, a series opener, features festive spot art by Ollerton.

Centers on a cute, evergreen premise but suffers from minimal character development.