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BAD GIRL GONE

Weak character development and monotonous plotting eclipse an otherwise intriguing premise.

A 16-year-old discovers that she is a ghost and resolves to solve her own murder with the help of her new friends and their supernatural powers.

Echo Stone experiences a rude awakening in a strange place she comes to learn is Middle House, an “orphanage” for ghosts of murder victims. The kids Echo meets there are “in-betweeners,” stuck in a sort of purgatory until they resolve their issues, starting with the question of who murdered them. Bewildered but determined to find answers about her own death, Echo joins the ragtag band of ghostly teenagers, each endowed with unique powers in death, to participate in hauntings of their murderers and exact revenge. Bit by bit, memories of her life before death come back to her as she starts to piece together and investigate a list of suspects, coming to terms with her own actions in the process. A lackluster love triangle among Echo, her former boyfriend, Andy, and ghost love interest, Cole, feels tacked-on, frequently invoked but inorganically developed. Echo’s voice is stilted and histrionic throughout, and the melodramatic turns of events feel forced and scripted. Most characters seem to default to white, though one is described as dark-skinned and another is implied to have mixed Asian heritage.

Weak character development and monotonous plotting eclipse an otherwise intriguing premise. (Paranormal mystery. 16-18)

Pub Date: Aug. 8, 2017

ISBN: 978-1-250-05881-2

Page Count: 272

Publisher: Thomas Dunne Books

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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I KILLED ZOE SPANOS

An atmospheric and creepy page-turner.

Seventeen-year-old Anna Cicconi finds herself in the middle of a mystery when she takes a summer nanny job in the swanky Hamptons enclave of Herron Hills.

Frick begins her story at the end. Well, sort of. August in the Hamptons signals the turning of the leaves and sees the grisly discovery of 19-year-old Zoe Spanos’ body. Zoe disappeared on New Year’s Eve, and Anna, who happens to strongly resemble her, has confessed to her murder. However, Martina Green, who runs the podcast Missing Zoe, doesn’t believe Anna did it and attempts to find out what really happened. Flash back to June: Hard-partying recent high school grad Anna sees her new job caring for Tom and Emilia Bellamy’s 8-year-old daughter as a fresh start. As one sun-drenched day melts into the next, Anna is drawn to Windemere, the neighboring Talbots’ looming, Gothic-style home, and to the brooding, mysterious Caden Talbot. But Anna can’t shake a feeling of déjà vu, and she’s having impossible memories that intertwine her life with Zoe’s. Frick easily juggles multiple narratives, and readers will enjoy connecting the dots of her cleverly plotted thriller inspired by Daphne du Maurier’s classic Rebecca. Anna and Zoe are white; the supporting cast includes biracial characters Martina (Latinx/white) and Caden (black/white). Caden discusses grappling with being raised by white adoptive parents, facing racialized suspicion as Zoe’s boyfriend, and feeling marginalized at Yale.

An atmospheric and creepy page-turner. (map) (Thriller. 14-adult)

Pub Date: June 30, 2020

ISBN: 978-1-5344-4970-1

Page Count: 384

Publisher: McElderry

Review Posted Online: March 10, 2020

Kirkus Reviews Issue: April 1, 2020

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BENT HEAVENS

Few chills and even less logic.

Can Liv put the pieces of her life back together after her father’s mental breakdown?

In rural Bloughton, Iowa, Liv takes solace in the cross country team and the idea that she will be off to college before too long. Three years ago, her father, the high school’s former English and drama teacher, vanished only to return naked and talking about alien abduction. He disappeared for good eight months later. Liv and her friend Doug check the elaborate traps her father built in the woods during those eight months every Sunday. The teacher who replaced him decides to stage the same musical that was her father’s swan song, and after getting in trouble for an outburst over her insensitivity, Liv decides to destroy the traps…but discovers that one has caught an alien. After hiding the horrifying creature in her father’s shed, they discover it has her father’s compass. In anger, Liv attacks the beast and then she and Doug torture it repeatedly as revenge for her missing father…but the alien is not what they perceive him to be, and as the truth is revealed, the horror mounts. Kraus’ (Blood Sugar, 2019, etc.) newest horror fantasy (there is no science here) might inspire more anger than horror as the protagonists respond to otherness with violence. Outrage will likely be followed by laughter at the stagy, manipulative, over-the-top conclusion. Most characters seem to be white.

Few chills and even less logic. (Horror. 16-adult)

Pub Date: Feb. 25, 2020

ISBN: 978-1-250-15167-4

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Nov. 18, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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