A sweet, moving family tale.


A man who recently lost his wife spends two weeks with his grandson in an idyllic Michigan lakeside setting in this novel.

O’Leary (Irish Crossings: Danny’s Story, 2018, etc.) introduces readers to Emmet Hyland just before the most heartbreaking moment of his life, as cancer takes his love of 50 years, Mia. The couple’s only child, Jackie, shows up with her 13-year-old son, Colin, and Emmet barely has time to grieve when he is put in charge of the teen. Jackie and her new boyfriend are taking a vacation, and although Emmet doesn’t know his grandson very well, he feels obligated to take care of him. It’s awkward at first, as Colin keeps his head in his iPad and Emmet tries to figure out how to feed and entertain the kid. As it turns out, a little time hiking and learning to kayak on the lake is just what Colin needs to help him get over the hurt of his father leaving. And teaching Colin these things is just what Emmet requires to come to terms with Mia’s death and learn how to keep living. O’Leary’s tale is unabashedly sentimental, and it has no guile. Everything is played close to the surface, as in the scene where Emmet visits the box containing Mia’s ashes he carefully placed at the bottom of the lake: “I found my Mia nestled among the seaweed. The package was ragged. I don’t know if it was natural deterioration or if the fish were pecking away. I knew it didn’t matter to Mia. She was where she longed to be.” The metaphors are plain—Mia’s box dissolves as Emmet gains his footing and feels useful again helping Colin. The way Colin finds his confidence is fairly predictable. But in the author’s hands, these things are more comforting than cloying, and the story doesn’t overstay its welcome. This novel could have been a syrupy mess, but instead it is an affecting read.

A sweet, moving family tale.

Pub Date: Feb. 1, 2019

ISBN: 978-1-73353-410-9

Page Count: 241

Publisher: Swan Creek Press, LLC

Review Posted Online: March 30, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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