An enjoyable gallop through a crucial period in the struggle for America’s independence.
In her historical fiction debut, Irvin (Let the Tail Go with the Hide, 2001) follows a young man as he comes of age in the 1700s during the French and Indian War.
In 1755, Josh Bedford doesn’t fit in. Thinking him unreliable, his father favors Josh’s older brother, Matt, who tortures Josh the way older brothers do. His mother coddles him, having lost Josh’s twin brother at birth, but also doesn’t defend him against his father’s disapproval. Josh longs for adventure, not the hard-toiling farming life he was born into; he often shirks his chores, which only exacerbates his problems at home. When his idol, Uncle Harry, a veteran of the famous battle at Fort Necessity, Pa., visits the family before returning to war, Josh takes the opportunity to run away. He hides in his uncle’s wagon, eventually arriving at Fort Cumberland in the company of the joined forces—the Redcoats, colonists and Native Americans—battling the French for control of America. To avoid discovery, Josh assumes a new name, Jed, and soon finds himself in service to not one but two famous historical figures: Daniel Boone and Capt. George Washington, who in turn show Josh the value of reliability and hard work, as well as the horrors of war. Whatever illusions of grandeur Josh may have harbored before witnessing battle firsthand are shattered when he sees his comrades fall. No longer a child, he returns home to the farm a changed young man. Irvin is well-versed in this period of history; in fact, a letter from her great-great-great-great-grandmother inspired one of the anecdotes about tense relations between the native population and the settlers. Her appreciation for detail shines in apt and engaging descriptions of the terrain, dress and speech, and though she writes for a YA audience, she never dumbs down the story or her language. Rather, Irvin uses her young protagonist’s inexperience with war as a vehicle to describe the hardships of living in 1755 without neglecting the equally important and timeless ideas of family, friendship and even love.
An enjoyable gallop through a crucial period in the struggle for America’s independence.Pub Date: May 14, 2013
ISBN: N/A
Page Count: 109
Publisher: HeartChild, Inc.
Review Posted Online: Feb. 14, 2014
Kirkus Reviews Issue: March 15, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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