by Teresa Nickell ‧ RELEASE DATE: Oct. 25, 2018
A stirring account of a hard life and hard work.
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Nickell tells the story of her long road through addiction and abuse in this inspirational debut memoir.
The title’s reference is to a photo of the author at age 4, which she keeps in her own wallet. The picture serves a dual purpose: to remind Nickell to love herself, and to avoid the destructive thought patterns that were developing when the picture was taken. “I remind her that she matters, that I will always care for her to the best of my ability,” Nickell writes in the book’s preface, “but that she’s not calling the shots anymore.” The author relates that she had an alcoholic father and emotionally abusive mother; she herself started drinking early and she lost her virginity during an inebriated blackout. Her stepfather, she says, would send her to school with joints to sell, and he regularly exposed himself to her. She was on her own by 14, and she got married at 17, when she was three months pregnant, to a man who abused her, she writes. One altercation, involving a thrown lighter, left Nickell legally blind. A series of drug offenses resulted in jail time, and it was only then that she began her journey toward recovery—and a Christian relationship with God. In this book, Nickell charts her long struggle to reach a level of financial and emotional security, buoyed by therapy and religious faith. Her prose is consistently candid and gritty, as in this passage, in which she describes a diagnosis of “body rot” at a rehab center: “I had abused myself, had allowed others to abuse me, and for years, I had deprived myself of food and sleep. My regular body functions were shutting down. I was very, very tired.” It’s a remarkable story, overall—not just because of what Nickell went through, but also because of what she was able to achieve: She owns and operates a highly profitable bakery business. Nickell speaks of God often, but she also discusses the psychological work that she put in to improve and forgive herself, making this a useful book for both religious and secular readers.
A stirring account of a hard life and hard work.Pub Date: Oct. 25, 2018
ISBN: 978-0-9992884-8-1
Page Count: 224
Publisher: LegacyONE
Review Posted Online: July 16, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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