A stirring account of a hard life and hard work.
Nickell tells the story of her long road through addiction and abuse in this inspirational debut memoir.
The title’s reference is to a photo of the author at age 4, which she keeps in her own wallet. The picture serves a dual purpose: to remind Nickell to love herself, and to avoid the destructive thought patterns that were developing when the picture was taken. “I remind her that she matters, that I will always care for her to the best of my ability,” Nickell writes in the book’s preface, “but that she’s not calling the shots anymore.” The author relates that she had an alcoholic father and emotionally abusive mother; she herself started drinking early and she lost her virginity during an inebriated blackout. Her stepfather, she says, would send her to school with joints to sell, and he regularly exposed himself to her. She was on her own by 14, and she got married at 17, when she was three months pregnant, to a man who abused her, she writes. One altercation, involving a thrown lighter, left Nickell legally blind. A series of drug offenses resulted in jail time, and it was only then that she began her journey toward recovery—and a Christian relationship with God. In this book, Nickell charts her long struggle to reach a level of financial and emotional security, buoyed by therapy and religious faith. Her prose is consistently candid and gritty, as in this passage, in which she describes a diagnosis of “body rot” at a rehab center: “I had abused myself, had allowed others to abuse me, and for years, I had deprived myself of food and sleep. My regular body functions were shutting down. I was very, very tired.” It’s a remarkable story, overall—not just because of what Nickell went through, but also because of what she was able to achieve: She owns and operates a highly profitable bakery business. Nickell speaks of God often, but she also discusses the psychological work that she put in to improve and forgive herself, making this a useful book for both religious and secular readers.
A stirring account of a hard life and hard work.Pub Date: Oct. 25, 2018
ISBN: 978-0-9992884-8-1
Page Count: 224
Publisher: LegacyONE
Review Posted Online: July 16, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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