An inventive, if unsteady, tale of misplaced affection.



A debut horror novel explores one man’s spooky relationship with an actress from a bygone era.

Nathan begins this story on a moonlit night in New York City. Jade Weary is a present-day, New York City-based editor with an obsession. That fixation comes in the form of a silent film star named Joan Cassidy. Joan was renowned for her beauty in her day as well as a troublesome personal life. In modern times, she is largely forgotten. Although not by Jade, who collects every bit of Joan memorabilia he can find and even has her image constantly playing on a projector screen. But the result is not a simple infatuation. It is apparent early on in the narrative that this simulacrum of Joan has a life of its own. But so does Jade. At a local diner, he strikes up a relationship with a budding young writer named Rain. Jade the editor and Rain the writer could make quite the couple. But as luck would have it, the ghostly Joan is not keen on Jade pursuing other women. Whatever shall become of this strangest of love triangles? The answer unfolds in a great number of odd developments. From a detailed account of a handyman with a penchant for cigars to a flashback to Joan’s life in Hollywood, the story takes a number of sharp turns. Even minor details in the text, which is written in the form of a screenplay, allow for flights of fancy. Take, for instance, Jade’s boss who chooses to show his feelings with a chart of emojis. Though the tale is fluid, it is not without its dead ends. Footsteps are bluntly described as “spine-chilling,” and a young street tough with a “unique eye patch” is far duller than his costume would suggest. It is unclear at times whether readers should be afraid, amused, or simply perplexed. What is to be made of it all? Yet the world Nathan has constructed is original, even if it can be difficult at times to follow. While Jade’s relationship with a silver screen star is not The Purple Rose of Cairo, it winds up being, doggedly enough, something far, far stranger.    

An inventive, if unsteady, tale of misplaced affection.

Pub Date: July 16, 2018

ISBN: 978-1-984531-97-1

Page Count: 184

Publisher: XlibrisUS

Review Posted Online: Jan. 4, 2019

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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