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HOSTAGES

CAPTIVES OF A MIDDLE EASTERN TERRORIST AND INTERNATIONAL INTRIGUE.

A fair thriller but an excellent satire of American media.

Crimmins’ debut thriller follows two men who survive a hostage crisis and later endure unremitting media attention as they attempt to capture a terrorist.

When recent Georgetown University graduate Tom O’Malley fills in for his boss to deliver pizza one night, it proves a fateful decision. He happens upon a group of Uzi-toting Muslim terrorists, led by a man named André Abdul, who have taken several State Department employees captive—and they add Tom to the hostage tally. He makes it out alive, but authorities remain concerned that Abdul, who escaped police, may still be in the United States. So Tom and a fellow survivor, Chilean translator Amado Salpedro, go on a publicity tour, hoping that the public’s sustained interest will help ensnare the terrorist leader. The novel becomes invested in the aftermath of Tom and Amado’s captivity, and follows them as they make the rounds on talk shows. The novel makes its boldest statements in its depictions of the media; for example, Tom and Amado begin an interview by responding to questions about their traumatic experience and end up, in a woeful but comical scene, sitting through a tacky song and music video loosely based on the incident. Tom’s back story pales in comparison to Amado’s; the Chilean immigrant, unable to find success in America, has grown to resent privileged people like Tom. Even Abdul, whose family’s estate was destroyed in Beirut, comes across as a more riveting character than Tom does. That said, Tom’s solid relationship with his girlfriend, Amy, gives him a semblance of maturity, although it’s often offset by his irresponsibility and naïveté. His conversations include stories of partying with his rugby team; at one point, he has to have the term “chop shop” explained to him, and, at another, guesses at Los Angeles’ nickname (“I think they call it L.A.”). The novel also doesn’t provide very much suspense—readers are told the exact date of another terrorist plot in the works—but the bad guys are appropriately and convincingly menacing when they finally show up.

A fair thriller but an excellent satire of American media.

Pub Date: Sept. 3, 2013

ISBN: 978-1490307435

Page Count: 350

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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