by Terri Apter & Ruthellen Josselson ‧ RELEASE DATE: Sept. 16, 1998
You wouldn’t wish the best friends described by these psychotherapists on your worst enemy. To give them credit, Apter (currently a fellow at Cambridge Univ.; Secret Paths, 1995, etc.) and Josselson (Psychology/Towson State Univ.; Revising Herself, 1996), both experts in women’s psychology, set out to add perspective to the recent spate of books and movies celebrating women’s friendships. They seek a context “that neither idealizes . . . nor denigrates” such relationships. Girls and women can form rewarding and enduring connections, the authors say, but those relationships can also be hurtful and damaging. They discount recent research attributing preadolescent girls’ diminishing self-esteem to societal pressure and suggest instead that “the worst anguish . . . is learned in the neglected but indelible doings with girlfriends.” What follows, despite the authors— attempts at nuanced understanding of why girls fail each other and lessons to be learned, is a litany of anecdotes about cruelty, jealousy, fickleness, and fear. From here on the authors’ own recollections and the agonies of Tanya, Wilma, Rose, Angie, Robin, Della, and Quinisha regarding “the friendship wars” takes over. Ninth graders Wendy and Janet spent every Saturday afternoon together, until one Saturday Wendy had to visit a “sick aunt.” Sure enough, riding a bus that afternoon, Janet spotted Wendy window shopping with schoolmate Sandra. (The story, incidentally, is told by a now 40-year-old Janet.) Thirteen-year-old Rowena listens in on a phone conversation between her best friend and another girl. Rowena is dissed. Clare Boothe Luce’s The Women is but one stereotypical scenario that comes to mind. Boys are stereotyped as well, depicted as solving their relationship problems on the playing field. The authors do go on to suggest that female friendships provide support and understanding that can’t be found elsewhere. The thesis that the turmoil of the adolescent friendship dance is valuable in both learning about relationships and defining self is valid, but this description of female best friends is likely to make misogynists of us all. (For a different look at women’s friendships, see Nina Barrett, The Girls, p. 861.)
Pub Date: Sept. 16, 1998
ISBN: 0-609-60116-4
Page Count: 304
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
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by Pamela Paul & Maria Russo ; illustrated by Dan Yaccarino & Lisk Feng & Vera Brosgol & Monica Garwood ‧ RELEASE DATE: Sept. 3, 2019
Mostly conservative in its stance and choices but common-sensical and current.
Savvy counsel and starter lists for fretting parents.
New York Times Book Review editor Paul (My Life With Bob: Flawed Heroine Keeps Book of Books, Plot Ensues, 2017, etc.) and Russo, the children’s book editor for that publication, provide standard-issue but deftly noninvasive strategies for making books and reading integral elements in children’s lives. Some of it is easier said than done, but all is intended to promote “the natural, timeless, time-stopping joys of reading” for pleasure. Mediumwise, print reigns supreme, with mild approval for audio and video books but discouraging words about reading apps and the hazards of children becoming “slaves to the screen.” In a series of chapters keyed to stages of childhood, infancy to the teen years, the authors supplement their advice with short lists of developmentally appropriate titles—by their lights, anyway: Ellen Raskin’s Westing Game on a list for teens?—all kitted out with enticing annotations. The authors enlarge their offerings with thematic lists, from “Books That Made Us Laugh” to “Historical Fiction.” In each set, the authors go for a mix of recent and perennially popular favorites, leaving off mention of publication dates so that hoary classics like Janice May Udry’s A Tree Is Nice seem as fresh as David Wiesner’s Flotsam and Carson Ellis’ Du Iz Tak? and sidestepping controversial titles and themes in the sections for younger and middle-grade readers—with a few exceptions, such as a cautionary note that some grown-ups see “relentless overparenting” in Margaret Wise Brown’s Runaway Bunny. Laura Ingalls Wilder’s Little House series doesn’t make the cut except for a passing reference to its “troubling treatment of Indians.” The teen lists tend to be edgier, salted with the provocative likes of Art Spiegelman’s Maus and Angie Thomas’ The Hate U Give, and a nod to current demands for more LGBTQ and other #ownvoices books casts at least a glance beyond the mainstream. Yaccarino leads a quartet of illustrators who supplement the occasional book cover thumbnails with vignettes and larger views of children happily absorbed in reading.
Mostly conservative in its stance and choices but common-sensical and current.Pub Date: Sept. 3, 2019
ISBN: 978-1-5235-0530-2
Page Count: 216
Publisher: Workman
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Larry L. Meyer ‧ RELEASE DATE: Feb. 15, 2005
Despite Meyer's unusual perspective, this journal contains memorable passages of joy and sorrow for parents and children of...
A 70-something reflects on becoming the father of his sixth child at age 59.
Meyer fathered three sons during the Vietnam War era while married to his first wife. A journalism professor at California State University-Long Beach, he entered a second marriage to a student 27 years his junior, fathering two daughters and a son. After much agonizing about balancing career and family, Meyer took early retirement from his teaching to become a parent and a home-based freelance writer. Before his retirement, the first batch of his diary-like entries became a book, 1989's My Summer With Molly: The Journal of a Second Generation Father. After retirement, he became a regular journal-writer, musing about parenting and dozens of related threads. Just as Molly dominated the first collection of entries, son Franz dominates the second collection. At turns doctrinaire, old fuddy-duddy, self-deprecating, melancholy, humorous, even hip, Meyer is a thoughtful guide through daily life. The seemingly oblique title becomes clear in the context of the W.B. Yeats' quotation from which it is derived: "An aged man is but a paltry thing / A tattered coat upon a stick unless / Soul clap its hands and sing, and louder sing / For every tatter in its mortal dress..." Meyer sounds ageist at times, but throughout, he is determined to fight his own aging and to serve as a good husband and father. Eschewing sentimentality much of the time, Meyer can't help occasionally lapsing into teary-eyed territory. He concludes that "geezer fatherdom" is worth the costs, that "in the end, there is only love, active and remembered, to warm the chill of a cooling universe."
Despite Meyer's unusual perspective, this journal contains memorable passages of joy and sorrow for parents and children of all ages.Pub Date: Feb. 15, 2005
ISBN: 0-942273-05-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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