by Terri Evert Karsten ‧ RELEASE DATE: Feb. 10, 2015
A quick, pleasant read.
In Karsten’s (Snags and Sawyers: 2000 Miles Down the Arkansas River, 2012, etc.) historical romance, a case of mistaken identity strands a Scottish lass in Colonial Philadelphia.
Impetuous Caroline “Callie” Beaton flees her grandfather’s house in a huff one night, tired of the dull suitors he parades before her. Wandering the docks of Leith, she’s shocked to be bundled into the hold of a ship, mistaken for a young woman who signed a contract of indentured servitude to gain passage to America. Before she knows it, she’s at sea, stranded without anything to prove her true identity; she has no choice but to bide her time until they reach the Colonies, where she can hopefully find a way to contact her family across the Atlantic. Aboard the ship, she befriends other indentured women: blithe, gossipy Peg, and Mary Rawles, whose husband dies during the voyage, leaving her with two small children and a debt to work off. Callie is also drawn to another passenger, handsome Davy McRae, a self-described businessman whose trade remains mysterious. But while she’s attracted to him, getting back home is far more important, and, once in Philadelphia, Callie suffers through her indenture being sold to the Ashers, a wealthy family with a tangled history. The eldest son, Ethan, seems a trustworthy gentleman, and Callie’s overjoyed when he sneaks her paper and ink to write a letter home. Though Ethan promises to send it, there’s no quick reply, and gently bred Callie finds herself working from dawn till dusk, with no thanks from her masters. When the patriarch of the family is murdered, however, she’s the prime suspect and must flee suspicion with none other than Davy McRae. Is their burgeoning romance a distraction from Callie’s homeward mission? Who can she trust in this foreign land? Karsten ably handles the setting, conjuring the sights and sounds of 1754 Philadelphia and the never-ending chores. Callie is likable, if rather too trusting of men, while love interest Davy has a complicated history of his own. Karsten doesn’t break new ground here, but she’s penned an engaging story with some clever plot twists.
A quick, pleasant read.Pub Date: Feb. 10, 2015
ISBN: 978-1458218278
Page Count: 276
Publisher: AbbottPress
Review Posted Online: Dec. 18, 2015
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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